[Thoughts] Angel Beats!

A White Dwarf

Much like the galactical mega-stars that occupy the distant worlds far from us, Angel Beats! was seen as one of the brightest anime shows this season, with enough spiritual intrigue and mystery to pique everyone’s interest and bay the critics’ initial impressions. Then episode 6 came along and ruined everything. The series started out as a quest for identity, transformed into a rescue mission, and then ended as a mawkish, drippy, and cheesy yearning for ascension and belonging. But I will admit, I am a sucker for drippy melodrama, given that the context surrounding it is merited; Clannad does this well.

On the other hand, Angel Beats! tried to do the impossible—cram an emotionally meaningful, soul-searching, love story into 13 episodes and staple on action, comedy, and over 10 characters. Unless the story author is as talented as Ryohgo Narita (Baccano!, Durarara!!) and the animation director is Makoto Shinkai (Voices of a Distant Star, The Place Promised in Our Early Days, 5 Centimeters per Second), then there’s no way you’d be able to pull that off—not in 13 episodes, at least.

Gear Hop

But what exactly went wrong? The series was the bellwether of promise for the early summer anime; nothing else posed as a serious threat to the popularity of the show, save Durarara!!, Maid-sama!, K-On!!…OK, never mind. Here’s the point: when Angel Beats! premiered in April, everyone panned it as a crisp and refreshing change from everything else, but what we got was a maudlin semi-love-story, semi-quest-for-identity where neither of the two make it past the larval stage. For a series that’s been in production since 2007, it’s a real shame to see such a tenuous product.

Does that mean that Angel Beats! had the wrong idea about its plot? No, not necessarily. In fact, I really liked the direction the series was going in. I just wish that the animation studio opted for a second season so that they could flesh out all of the different modules of the plot. You can’t possibly expect to cram so many different avenues of the story into a short 13-episode mini-series. The authors asked for so much and the animators gave so little. There was no way this series could’ve explored all the different aspects of the characters and their struggles using so little airtime.

What made Clannad and Kanon so great was the ability for gradual character growth, not door-slamming character heel face turns, whiny, half-baked deliveries, or abrupt character derailments. Angel Beats! tried to accelerate the development of the cast by changing the circumstances around them drastically and often, hoping that the audience would simply accept that everyone in this world just lives in the fast-lane. Most of the fanbase is complacent with this series, but I wasn’t sold on the piece. I felt that the series could’ve been orders of magnitude better if the studio would just opt to do a 24 episode series instead of a 13 episode one.

One might argue that it doesn’t take 24 episodes to make a great story— or 13 as a matter of fact. The art of cinematography has to deal with the most limited amount of resources when it comes to storytelling. In, at most, three hours, a film has to portray the characters, depict the setting, advance the plot, and, optionally, make meaningful statements about the real world. That’s quite a bit of stuff to do in a mere three hours, whereas a mini-series has six and a half hours to do the same—approximately four and a half hours if you deduct the commercials, the OP, and the ED. But on the other hand, a show has to cope with the changing dynamics of executive meddling, occasionally recap previous events, progress the story in such a way that allows segmentation to occur between major plot events, and hook the audience at the end of each episode. That’s a lot to ask for.

It’s not reasonable to compare the two different mediums because they both deal with different challenges in order to meet the same goal: tell a good story—and make some money.

Unfortunately, Angel Beats! couldn’t completely convince me to suspend my disbelief. I really would’ve liked to see and feel the tenderness that was between Otonashi and Angel at the very end. I really would’ve liked to truly understand the neglect and pain that Naoi felt when he was forced to take on his brother’s identity. I really would’ve liked to truly understand Yui’s joy when Hinata proposed to her. None of these wishes were fulfilled. Never, not once, did I ever feel as emotionally connected with this series as I did with Clannad, Kanon, 5 Centimeter’s per Second, The Girl Who Leapt Through Time, Toradora, True Tears, Valkyria Chronicles, Voices of a Distant Star, or Evangelion.

This anime falls somewhere between Full Metal Panic! and Shakugan no Shana. Angel Beats! comes off half-finished and rushed, scrambling to find every excuse to compress as much plot advancement into every second of airtime. Despite its lack of story-flow, I feel that Angel Beats! was worth watching. It doesn’t compare to any of the great dramas in recent memory or any of the more mindless action shows that are still on television. But Angel Beats! does deliver a refreshing change of pace with its dark, slapstick humor, its Haruhi-like characters, and original concept.

[Thoughts] Baccano! | True Tears

Paper

As much as I wanted to do a datasheet for Baccano!, the loads of characters and the florid plot would make detailing every twist, turn, and corner an achievement in and of itself. There is so much plot infrastructure and character depth that I couldn’t possibly do justice to the series by merely summarizing all of their attributes in one sentence. Instead, I’m going to give you a brief post about my thoughts on the show and why I think it’s one of the most different, yet interesting anime series.

A Train Ride Ruckus

Back when I first watched Haruhi (S1), I quickly realized just how flummoxing an achronical plotline can be. There are two different ways to mix-up the monotontony of a linear plot: do it the wrong way and take a linear plot and tell it to the audience out of order or do it the right way and engineer the plot to be told out of order. To be fair though, the animators didn’t make the series out of order—they merely aired it out of order. I’m not sure if KyotoAnimation decided to do this or if their syndicators just wanted to fuck with us. A truly gifted author can really bring out unique story-telling elements if they are careful enough to plan a plot that can only be told in achronological order. I was a bit wary of Baccano! because of the potential confusion I might have had to endure, but those fears were quickly washed away after I started the series.

Baccano! is a refreshingly chic, short, and cleaver anime that combines the genius of a Pulp Fiction-style plot line and the intriguing pseudo-science of Fullmetal Alchemist. The plethora of characters and their near-equal amount of screen time demonstrate the wide-scope of the world that the characters live in. Furthermore, the constant shuffling between time-frames enhance the plot’s depth and do so in such a way that doesn’t interfere with the audience’s understanding of the timeline—although, you’ll have to go through and watch the series a second or third time in order to fully appreciate the genius behind everything.

As the narrators beginning side-characters lampshade, this story has no main characters despite the heroic qualities of some of the characters. The beginning side-characters also poke fun at the fact that this story doesn’t have a conclusive ending; the anime sticks the ending well, but the show is based off a light-novel series that has yet to conclude. Regardless, the anime studio, Brain’s Base, did a fantastic job focusing on the pivotal event of the light-novel series.

Fantasy Picture Book Love Triangle

I recently decided to pick up the series True Tears on a whim because Coal Girls decided to release the Bluray rip. After talking to Josh about it, I decided to go ahead and schedule it ahead of everything else I was watching. At first, I thought that I was going to be watching Clannad Lite, but quickly realized that I was actually watching something very different.

Unlike Clannad’s depth and thorough exploration of the characters, the animators of True Tears decided to reduce the amount of character development due to the tight episode window (13 episodes + a few comical specials). Many critics complained that the characters were too bland, consisting of nothing more than flat personalities inside pretty shells. The character dialog was muted and uninspiring—something unexpected from PA Works. The motivation behind several critical elements—such as the main character’s mother’s hate against the female heroine—were left unexplored and unexplained, which is unsatisfactory for a proper plot. The love-triangle between the main characters was perpetuated by the unknown and inhuman forces of irrational stupidity that dwelled within the male lead.

I don’t know if it’s because of the fact that I’ve grown past the high school love outlook, but I feel that some of the views held by the main characters were maudlin. I guess I’ve grown more insightful when it comes to romance, because I just can’t relate to the love-tension in this story.

Despite True Tears’ shortcomings, it still provides one of the most solid love-triangle high school drama stories I’ve seen so far. It does nothing more and nothing less than provide a plain, but surprisingly enjoyable romance story between the main character and two girls.

While True Tears is a good series, what keeps it from being great is its uninteresting character set and their weak grasp on human rationality.

[Concurrent] Durarara!! | FMA: Brotherhood

Durarara!!

I got fully caught up with both of these amazing TV shows a few days ago, and I am just blown away at the vision of the authors. They’re both incredibly talented story tellers—but the animation staff gets credit for presenting everything in such a dramatic way.

Durarara!! has skillfully set up the three main protagonists, Mikado, Anri, and Kida, to fight off against one another without either of them knowing that the other is their enemy—each one of them is, in secret, a leader of some large group in the city. They’re all actually very close friends at school and form a tightly knitted group. They all care for one another, but they haven’t told each other that they’re the leaders of the three strongest groups in the city.

First, Mikado is in charge of the Dollars gang. The Dollars gang is an online based and by-invitation-only gang that has garnered support from thousands of people in the city. In fact, I’m surprised that the entire city isn’t in the Dollars gang. They aren’t active in the sense that they’re going out and acquiring territory. They have no rules and no obligations. They’re more of like a Facebook fan-group, rather than a traditional gang.

After Anri is attacked by “the Slasher,” Mikado, driven to revenge out of his love for Anri, begins demanding information about the Slasher from members of the Dollars gang. He doesn’t actually know that the faces and names of his gang members, but he uses an online forum to communicate with them.

Then we have Kida who’s in charge of the “Yellow Scarves gang” —or the “Golden Bandannas gang” depending on your translation. Kida retired from the gang right before Mikado came to Ikebukuro. He also loves Anri, and rejoins the Yellow Scarves as their Shogun in a crusade against the Slasher. According to the rumors that are floating around the city, the Dollars are actually behind the Slasher incidents. Kida is now determined to find out who or what the Slasher is, with his first target being the Dollars.

And finally we have Anri who wants to wage a one-man war against Izaya, who is actually pulling the strings behind the scenes. Izaya is an informant who has been orchestrating all of the events that have lead up to this point. He is suspected of creating the rumors about the Dollars and setting events in motion that have lead to this calamity, all for the sake of going to Valhalla by using Celty’s head. To make matters worse, Anri is the Slasher! She has a sword, call “Saika,” which possesses its owners with a feeling of love. It manipulates its welder to slash other people, who in turn get possessed by the sword as well. Anri is able to control the people she slashes with her sword. Apparently, there have been thousands of Slasher incidents across the city, so she has thousands of obedient followers who can serve her. Not only that, if her followers slash someone, they also come under the influence of Anri. Anri’s gang is a viral infection that is arguably the most dangerous force in the city.

This eruption of drama might just be overkill. I can’t wait to see how this series ends, but it looks like the light novels are still in production, so I am hoping that a second season comes out.

FMA

FMA has orchestrated a huge plan to use an entire country as a sacrificial lamb towards some unknown goal. All I know is that there are 3 different groups waging war against “Father” and the previous government. Edward is leading a group of rebels underneath the city in order to get to Central’s headquarters. Colonel Mustang joined up with Edward and has sent a detachment to spread propaganda across the city. And then we have General Armstrong taking Central’s headquarters by force. But we’re about to see how things turn out when The Führer comes back from the dead and attempts to take the fortress by force—by himself!

And lastly, we have Father and Van Hohenheim facing off downstairs, beneath the whole mess that’s occurring upstairs.

The series is nearing its end with these last 7 episodes, which will coincide with the end of the manga. According to Anime News Network, the author is working closely with the animation staff to storyboard the ending of the anime so that it will be exactly the same as the ending of the manga, which is slated to end in June. I’m really glad that Studio Bones decided to follow the original story of FMA, because their first attempt at concluding the series just ended awfully, in my opinion. The series just went off into a different dimension—literally—and cobbled together some random conclusion that just didn’t make any fucking sense.

In any case, I’m excited to see where FMA: Brotherhood goes.

[Thoughts] Toradora!!

Wham Show!

OK, so when I first heard about Toradora, I wasn’t sure what to think about it. The name, itself, doesn’t really tell you much about the series. I don’t even know what “Toradora” means. But let me say this, I was very surprised, pleasantly surprised, that this anime turned out be one of the most addictive and refreshing shows I’ve had the pleasure of watching. I actually watched all 25 episodes in one week, while studying for my statistics midterm and CS 330 quiz—that’s actually my personal best. I can see why it caused so much internet backdraft. Now, I know that my previous statement doesn’t really make that much sense at first glance. I mean, how can a show be good if everyone is raging over it? Well, my friend once made the following statement:

When you see people arguing about a topic (flaming), it’s a sign that that topic actually matters. The worst thing anyone can do is forget about it.

It’s true; apathy is the worst response to any work of literature. That isn’t to say that the second season of Melancholy is fantastic because of Endless Eight, but it means that people actually care about the series—in one way or another.

Anyways, Toradora really turned out to be one of the most surprising anime about high school love, because of its relentless assault on the status quo. The series isn’t as drippy as the your normal high school drama. In fact, the whole anime just refuses to give the audience anything normal; all of the characters are seriously fucked up in very deep and fundamental ways:

  • Taiga’s father is a heartless bastard who doesn’t even love her. He continuously comes and goes into her life and repeatedly breaks her heart. As you can imagine, this results in a very broken daughter.
  • Ryuuji’s father ran away after Ryuuji’s mother became pregnant. Ryuuji is also really OCD about cleaning everything.
  • Yuusaku has a shit-ton of issues that aren’t even understandable. For instance, he freaks out after learning that the girl he loves is moving to America, bleaches his hair, and yells out a confession of love during a speech in front of the school—which fails spectacularly. What the hell is this guy’s issue?
  • Minori is a genki girl, which serves as a facade to hide her pain. She secretly loves Ryuuji, but doesn’t want to hurt Taiga, so she bottles it all up. As you can imagine, this fails spectacularly.
  • Ami is a model and a transfer student who also falls in love with Ryuuji. At the beginning of the series, she acts like a bitch in sheep’s clothing because she’s desperate for everyone’s approval. She mellows out later, but starts acting violent towards Minori because Ami recognizes that Minori isn’t being honest with Ryuuji—or anyone for that matter. This all escalates to a fist fight in the snow. How fucked up is that?

I believe the whole point of making such a fucked up cast was to, ultimately, show just how jacked up you’d have to be to follow through on the whole “I want my beloved to be happy” trope. The authors really took that idea and just smashed it to pieces. The whole carousel of “I won’t confess because I don’t want to ruin my friend’s chances of being happy with him” really began spinning halfway through the series. By the end, it was going so fast that the whole internet was flying off their handlebars.

Even though many people found that aspect of the show absolutely grating, I actually really enjoyed it. The reason why is because in real life it’s hard to confess your love to someone—hell, it’s hard to even love anyone. And just how crazy do things get when you add friends into the mix? Honestly, we see this type of struggle in real life—it’s almost impossible to tell someone,

“I love you”

despite the fact that our society has reduced those three words to a hackneyed expression; it’s still one of the hardest ones to utter—even to family. I honestly can’t remember the last time I actually used that expression. This anime really shows just how difficult it is to pursue love and relationships. Nothing in real life is easy and nothing easy is worth having. Romance doesn’t just get handed to us on a silver plate. Life isn’t a fairy tale.

I highly recommend this series to anyone, even if you aren’t a big fan of high school soaps. I feel like this one deserves your attention. Now, I will say that it isn’t nearly as good as Clannad or Kanon as far as dramas go, but, to be honest, I don’t know if any anime will ever be as good as Clannad when it comes to high school love dramas.

[Thoughts] Kara no Kyoukai

Idealism vs Cynicism

So, I just finished the whole movie series Kara no Kyoukai and I was a bit flummoxed over how I feel about it. One one hand, the movie series portrays Mikiya Kokuto, one of the main characters, as a wide-eyed idealist. On the other hand, the movie also portrays Shiki Ryougi, the other main character, as the “not-so idealistic” half of this battle-couple. I say that Shiki Ryougi is “not-so idealistic” because she follows many idealistic values throughout the anime, but crosses the line of cynicism several times. But, it’s clear that the author of the series is giving this anime an idealistic tilt to it. Luckily, he isn’t giving it to us for free, like some other shonen.

The earlier movies are actually somewhere in between the two extremes, but, as you get closer towards the end of the series, it turns into a more idealistic anime so that the audience can have their happy ending. The idealism of the main character, Mikiya Kokuto, comes off as gratingly impractical, petulant, and unrealistic, rather than winsome and knightly.

Regardless of its ideal tilt, I actually enjoyed the series. The action is downplayed in favor of suspense, character development, and plot-fleshing; although, the fifth movie will take a couple of reruns to understand. It does a great job portraying the complicated relationship between Mikiya and Shiki, without succumbing to temptation of strangling the couple with red string.

The animation is fluid and detailed; the artists paid particular to the way that the characters walk, of all things. The depictions of the settings are gritty, ominous, and moody. Unlike other anime, that use canned or manufactured settings, everything you see actually belongs.

Unfortunately, I don’t plan on reviewing this series at all. As much as I liked the movies, I feel like the authors took too much liberty in emphasizing the themes; there was a lot of unwanted projection. What they should’ve done is focus on the characters’ and their back-stories.

I would definitely recommend this series to anyone looking for a dark and gritty supernatural thriller. But be warned, there are a lot of non-nonsensical ideals and themes that are thrown at you that I feel are worn-out, pretentious, and wanton—they aren’t pithy aphorisms. If you can manage to look past the author’s attempt to bemuse you, then this series will come off as a refreshing addition to your collection.

The long overdue review

5cm/s

Let me just start off by saying, this is one of the most amazing anime I’ve ever seen and I completely support everything said in Andrew’s review.  He gave a spot on, decently detailed, yet not overly detailed, plot/character synopsis, so this time I’m going to skip those steps.

Introduction and Rating

5cm/s is a strict romance anime focused around the relationship between a boy named Thono and a girl named Akari.  As the story progresses, Akari falls to the background and the plot completely focuses on Thono.  It’s a fairly slow — to its credit in this case — anime that is centered on a subject that everyone can relate to:  love.

Art:  9.5
Animation:  10
Music:  8.5
Characters:  9
Plot:  10
Average:  9.4
My Rating:  9.5

Comments:  Thono should’ve sucked it up and gone out with the surfer girl, even if that would have completely changed the message of the story…

Just so you know, this has probably the best use of inconspicuous CG and has some of the best background art out of all anime I’ve seen (and I know what I’m talking about here, I’ve seen over 100…).  This is the way it’s supposed to be done and I really hope that in the future we can all look forward to more anime following 5cm/s lead in these fields.

Remarks

Art

Well, this is what I was hired for… I seriously don’t get paid enough for this shit… wait… I’M NOT GETTING PAID AT ALL!  Enough jokes, let’s get down to brass tax.

I would like to say that the art is the best I’ve ever seen, but I still have a bone or two to pick — even if I had to pull out a shovel and do a bit of digging to find them.  Let me start by reiterating, there is a proliferation of inconspicuous CG that makes the movie look amazing, not to mention the backgrounds are some of the best I’ve ever seen.  Still, I just can’t bring myself to fall in love with the character designs.  (*Coughs up blood* – I hate that saying.)  Don’t misunderstand, I’m pulling at strings here, which I honestly don’t normally have to do;  if you don’t believe me, go take a look at the art score up top.  Still, with all the amazing CG and scenery I was expecting something more from the characters.  They’re a little bit on the plain side, although they seem to improve little by little as the story goes by.  I guess when you’re focusing so much on CG, scenery, and the plot aspects of the story, you have to yield somewhere.

Excuses aside, in my opinion the only anime that could even compare with 5cm/s overall is Bounen no Xam’d, and even then this one comes out on top.  Keep your eyes peeled for scenery like you’ve never scene before! (Forgive me… I couldn’t resist.)  Especially during scenes when Thono is thinking about Akari long after they first part, the artists took the opportunity to throw in some of the most fantastic — if not impossible — scenes you could ever imagine together.  After all, who needs an atmosphere when the view’s much better without it?!

**Just as a heads up, also keep your eyes out for birds because they queue up scenery porn.  See “Airplane of Love” trope.

Music

Well… what can I say.  There actually isn’t much music in this anime at all.  It’s part of the reason I subtracted half a point from the original 9 I scored it as.  I think there are only about six instances in the entire series where songs are actually played, most of which are piano solos but a couple of which are accompanied by other instruments.  Most of the songs are used mainly to “fill the void” when characters are speaking in prolonged monologues, such as in the first episode when the two are reading their letters, or to set up climactic scenes to the show.  Still, the songs do help to keep things moving and to enhance the overall experience of watching the movie.  The final song played is the only song with lyrics and does a very solid job of expressing the pent up feelings of the main character that many may find they can relate to.  I especially liked Thono’s and Akari’s theme song played twice during the first episode of the short series and again at the end.  In fact, that one song kept me listening all the way through the credits.

**Something new?

I realize I don’t normally do this, but I think that in this one instance I’m going to allow myself to write quick blip about the main theme of the show.

Themes

Theme of Love

Moving right along… Love is a major theme in 5cm/s, and, quite honestly, if you wanted to find almost all of the sub-themes in this anime, they could be traced back to this one subject.  The first time I watched the series, I was shocked because I realized that the author might know what real love is — I say “real” love to differentiate from the slang form of love like:  “OH I LOVE MY KEYS.”  It took me a second viewing to completely comprehend how the author expresses it throughout the short series.

To start out I decided I should give my definition of “love” as a basis for this review:

Love is the resolution to put another’s well-being, needs, and desires above one’s own well-being, feelings, and desires. It is often associated with and/or confused with emotional responses although they are not the same.  Still, they are interrelated — emotions often play an intricate role in causing the decision defined as love to be made — however, emotions do not define love.

If you want to continue reading on about this subject, I’ll have a full article to compliment this sometime hopefully in the near future, but as it really isn’t something vital to the plot past the point to which I’ve explained it, I decided I’d separate that section from the rest of this post.

Section on Thono’s/Akari’s Relationship

Of course, the first relationship that Thono and Akari are in is the one that they have with each other.  They start off as friends and due to their health conditions end up spending a great amount of time together.  Of course, the feelings they have for each other grow and quickly lead to love; in this case real love.

Expressions of their love (SPOILERS AHEAD – nothing big but I suggest you read this part once you’ve actually seen the movie):

  1. When Thono and Akari are children, their classmates made fun of them for spending so much time together.  Even so, neither is willing to give up on their friendship.
  2. After being on a train in the frigid cold for hours, the train stops and the passengers are told that they are going to be delayed due to the blizzard yet again.  In that moment, Thono drops his head and prays:  “Akari… please tell me… you’ve already… returned home.”
  3. Akari is still there when he arrives despite the fact that she has no assurance that he will, in fact, actually show up.
  4. Akari withholds her letter to spare Thono’s feelings.  In the same way, Thono never tells Akari about his own lost letter.
  5. Thono and Akari never forget about each other and continue to wish for each other’s happiness and well-being. (This may be more along the lines of compassion, but compassion requires love, so we’ll go with it.)

Overview

If you want more information about 5cm/s, please feel free to browse Andrew’s review.  It is, as I’ve said before, one of the most amazing anime I have ever seen, and I highly recommend it.

**Last minute suggestions:

  • Watch for birds!
  • Enjoy yourself and take your time!  The show is fairly slow at parts, so take the opportunity to get a drink or whatever whenever an episode ends.
  • Have a box of tissues nearby – just in case.

[Topside] In the Wake

Queen’s Blade Falls Short

After watching two episodes of Queen’s Blade, I couldn’t help but feel like the series continuously perpetuates its own hype through a series of illogical events. It’s a shame that the series turned out to be nothing more than cheap, unsatisfying hentai ecchi. The series takes itself way too seriously—albeit, not that seriously—for it to have such large, gaping holes in logic and plot. I’m all up for an ecchi series, especially one with all-star voice actors, but this one just falls flat on its face. The productions values are top-notch and the voice acting is incredible, but, at the end of the day, a pig with lipstick is still a pig. So, I’ve decided to drop the series from my list and suspend it indefinitely—at least until I’m in a more forgiving mood.

Hayate no Gotoku Breaks the Ice…and the Fourth Wall

Now, the series that has completely taken me surprise is Hayate no Gotoku. I was a bit shocked to see that Shana Rie Kugimiya was the voice of Nagi Sanzenin—the main-supporting character; fully loaded with Tsundere and Shana’s voice, albeit with a little bit more endearment and a little less bitch. Regardless, I’m liking the fact that this comedy series knows that its an anime and routinely breaks the fourth wall; it really eases the stress of the harem nature of this series—and it’s not for my sake, rather it’s for the sake of all those shippers out there.

Speaking of familiar voice actors, the person they have voicing the narrator, The Voice of the Heavens, is the same guy who did Emperor Charles in Code Geass, Norio Wakamoto. His sarcastic, snarky remarks are some of the most hilarious moments in the entire series. It’s great to see the characters poke fun at their own show.

Regardless, the series is over 70+ episodes long, so it’ll take me some time to burn through all of the episodes.

In the Mean Time

Other reviews are going to be put out, mainly the joint review between me and Josh on Valkyria Chronicles. Nyan Koi is rumored to have a second season, so I’m going to delay putting that on the review stack. And I’m working on my other anime shows that I plan on reviewing; I’m thinking of putting out, yet, another review template that would allow me to review anime even faster by skipping over most of the plot and character descriptions and give me the liberty to justify how I felt about the series—along with all the ratings and charts. We’ll see how this turns out; school is over so I don’t have to worry about finals or work for the next month and a half.

New Series Creeps Up: Monster

I just found a new anime, Monster (or if you prefer the other wiki), that scored incredibly high ratings and praise from the anime community while browsing around TV Tropes. I can’t believe that this one slipped underneath my radar. I plan on pushing this series all the way ahead of the queue into my watch list. You can expect news and feedback from this series sometime soon.

Well, that’s all the news I have. Until next time!

-Ja-ne!

[Topside] Valkyria Chronicles Finished | Bringing Up Others

Ancient Egyptian Laser Beams

Ah, so I just finished Valkyria Chronicles; what a refreshing break from other series that feature genre blindness. What really struck me was the author’s decision to make the “bad guys” lovable, human, and rational. They weren’t your typical hate-fueled, power-lusting evil bastards hellbent on taking over the world—well, until you meet the guy at the end. For the most part, the antagonists are portrayed as regular people—sorta—who struggle to fight for what they believe in and for the people they love—like, ya know, regular people! I even came to like and admire several of the antagonists. Unlike many other anime series, this one takes the time to develop, portray, and grow the characters of this series, both hero and villain alike. Albeit, the series does continue to play Welken as a person who’s oblivious to love, which is unfortunate because it frustrates the hell out of the audience, when more genre savvy characters have explicitly clued him in on it.*Sigh* Ma-ei. It’s not that big of an issue because another thing that the series does well is prevent shipping lanes from forming in spite of the love triangle between Alicia, Welken, and Faldio; I’m not sure how the series managed to desensitize the audience from leaning towards Welken or Faldio—perhaps it was the fact that the OP spoils the whole thing for you in addition to Faldio acting rather chivalrous until he shoots Alicia in the back. I’ll get more into that later on this month.

Believe it or not, those two are generals

In any case, Valkyria’s ability to dive deep into the characters of the series is one of its strongest points. Valkyria genuinely focuses on the characters, making them the bigger picture in such a large world; it really does feel like the world is passing by, even though the characters are at the center of the story—and the world for that matter. You can expect a review of this series from Josh and me sometime this month—hopefully. He and I just finished the series and we’ve decided to do a joint review.

What the hell is that?

Josh and I plan on designing an outline for our review and then giving our thoughts on each section (i.e. plot, characters, setting, etc…). Each of us will be responding and to one another in a pseudo-debate style manner, where one of us will make a point and the other will refute, agree, or rebuff it. We’ll see how this goes, but I am really excited about this. Josh and I were suppose to do a joint review of 5 Centimeters per Second, but I wrote a full review for it earlier this year and Josh is just finishing up his review of it, so it wouldn’t make much sense to revisit the series if both of us already have our own separate say in the matter.

Other Anime To Watch

The good news is that Valkyria Chronicles was such a engrossing, yet lighthearted series that I’m able to recover from it rather quickly. Other series tend to suck the audience in and create giant broken bases that spawn endless walls of flame-wars, angry trash-talk, and hours of sleep lost to pondering; Valkyria spares us the pain of caring too much.

I’ve decided to start watching two new series: Hayate no Gotoku and Queen’s Blade—the latter is not faring well with me. After seeing this scene:

Yeah, the most common superpower

I don’t know if I can handle what comes later in the series. Albeit, my curiosity has been piqued by the premise of the work, so I’ll definitely be watching with my door closed.

I haven’t had a chance to watch Hayate, but I heard the series was sublime; noted for its lack of a fourth wall. I’ll be sure to give you guys an update on that as well.

Until next time!

-Ja-ne!

[Review] Ga-Rei: Zero

Ga-Rei: Zero Review

Introduction

Ga-Rei: Zero is actually the prequel to the ever popular manga, Ga-Rei. As far as the audience knows, from the marketing department no-less, the story is about a band of super-powered heroes who use crazy weapons, such as motorcycles and briefcases, to defeat invisible demons. Of course, the show completely subverts this and kills off all the characters at the end of the first episode. The next episode continues on and introduces a new set of characters and then subsequently tells the tale of how they got there. Of course, if you’ve read the manga, then you would be prepared for the direction this series takes.

Characters

  • Natasuki Kasuga: The first female lead, prior to her murder at the end of the first episode. She acts as the Lancer in the first anti-demon group you’re introduced to. Believe it or not, she uses a motorcycle as her weapon against demons; there are inscribed runes on her tires and she maneuvers her bike in a way allows her to bludgeon demons with her tires; something that is beyond the impossible. Unfortunately, Kasuga will probably be your favorite girl in the series even if she only lasts for 20 minutes on-screen.

  • Toru Kanze: The first male lead, first lead actually, prior to his murder at the end of the first episode. He briefly fulfills his role as hero in the first anti-demon group you’re introduced to. Unlike many of his coworkers, he’s a gunslinger; opting to use dual pistols akimbo. It’s too bad that he gets brutally ripped apart at the end of the first episode, because he’s pretty badass.

  • Kagura Tsuchimiya: The real protagonist of the series, albeit not introduced as one. She’s one of the central characters in the manga, so, naturally, she takes up a lot of the screen time. The majority of the plot is based around her relationship to Yomi, her figurative older sister.
    Kagura is a very weak person – in my opinion. I know that in the manga, she’s supposed to be a genki, yet competent person. Alas, she’s next to worthless in the anime, especially following her heroic BSOD. Now, this is forgivable because she’s just a young high school girl who’s training to become a demon slayer. I suppose that a little bit of Post-Traumatic Stress Disorder is understandable. Regardless, she’s a bit of a handful for the un-expecting audience.

  • Yomi Isayama: Arguably the only reason for this depressing excuse for a prequel. This entire series is about Yomi’s fall to evil, which doesn’t really tie that strongly into the manga; there’s a story arc about Yomi, but that’s about it. So really, this prequel is merely an excuse to explain Kagura’s and Yomi’s back-story – the rest is just a tear-fest.
    Aside from the psycho the animators offered at the beginning of the series, she used to be a kind and loving girl. In fact, the animators successfully induced mood whiplash by first presenting a complete monster and then showing us that she is actually a very loving, and lovable, girl. The moment right before her fall will undoubtedly produce tears.

Plot | [Full Spoilers]

Ga-Rei: Zero starts off in Tokyo sometime in the present, or near present, as invisible demons begin attacking the city. Apparently, this isn’t the first time this has happened. The Japanese Government has established two different departments, in secret, to battle these demons: The Ministry of Defense’s Paranormal Disaster Countermeasure Headquarters and The Ministry of the Environment’s Supernatural Disaster Countermeasures Division. Both of these departments are aware of each other’s presence, but are vehemently opposed to one another.

Sidetrack

OK. Stop! Tokyo is (and always has been) attacked by huge, invisible demons that create physical destruction and mayhem that not only destroy the infrastructure of city, but also kill people, lots of people, and the government’s only defense departments are having a piss-fight over jurisdiction? Give me a fucking break.

Now, I know that this has happened before, particularly in very recent history (click the link to make more sense of the following point), when the Central Intelligence Agency (CIA) refused to cooperate with the Federal Bureau of Investigation (FBI). But both agencies had a very good reason for not releasing information pertaining to their respective cases:

  • FBI: The FBI’s only job is to prosecute crimes that have been committed (i.e. gather evidence and build a case). If the FBI were ever to give their information to any other agency, it could, and most likely would, spawn a leak in their case and would jeopardize their case—most cases require the testimony of a witness, who will only speak under very strict circumstances, such as witness protection.
  • CIA: The CIA’s only job is to gather foreign intelligence (as in intelligence pertaining to the whereabouts of threats that are aimed at the United States, but do no originate from the United States) and take necessary actions to protect the United States from foreign attack, whether terrorist and/or state related. The CIA has an even tighter rope to walk, because if they allow other agencies to have information that they obtained through secret means, it could jeopardize their ability to defend the United States from foreign attack. Also, the CIA has operatives working in hostile territory and information pertaining to a given event might allow foreign attackers to trace it back to the CIA and their operatives, thereby losing the initiative of the operation. Simply put, if the CIA shares information and that information gets into the hands of the wrong person, it could seriously fuck up the CIA and make them look retarded. Bad!

Here’s the thing though (Rebuttal): Before the events on 9/11, the FBI and CIA were not willing to cooperate with one another because of the aforementioned reasons. But they were more than willing to share information right after the airplanes smashed into the World Trade Centers and the Pentagon. But this idea is not reflected in Ga-Rei: Zero, where demons are wrecking havoc all over Japan, not just Tokyo, and the two Ministries are still not willing to cooperate. That’s just bullshit.

Back to the Point

Getting back to the point, we see our purported heroes kick demon ass, after the redshirts get killed of course, only to be obliterated by Yomi (now, the antagonist). Well that sucked.

Topside, Kagura is kicking demon ass until she encounters Yomi, who’s just finished ripping The Ministry of Defense’s Paranormal Disaster Countermeasure Headquarters intro shreds, literally. The two face off as sisters, which hinders Kagura’s will to fight Yomi. Unfortunately, the audience doesn’t have the emotional attachment to Yomi to make this event significant; actually, it’s rather obnoxious and revolting that Kagura won’t fight Yomi. Yomi is clearly a cruel monster, so what do the animators do? They tell you how they got there.

The Quick and Dirty Flashback

The episode switches to the past and the story follows Kagura’s training as a demon slayer alongside of Yomi, her figurative big sister. Yomi is kind, light-hearted, and loving. She’s sweet and mello; the perfect big sister. Through a particularly violent family feud, Yomi’s father is murdered and she finds out who killed him. Yomi then kills the murderer and then gets attacked by the real demon threat behind the murder. She gets severely injured and sinks into a state of deep-seeded weakness. After much emotional bonding, Kagura asks Yomi if she killed the person who murdered Yomi’s father, who is Kagura’s uncle. Yomi doesn’t answer her straight and Kagura, slightly heartbroken, walks outside for some “fresh-air.” All alone and regretful, Yomi silently cries and repeatedly says, “I’m sorry.” In her darkest hour, Yomi is confronted by the demon behind her father’s death and he “possesses” her—in a sense—and Yomi becomes the horrible monster that was portrayed in the first episode.

Back Up to Speed

After several battles, Kagura finally wills enough courage to kill her sister.

We look around and see dead characters—dead main characters. Broken characters. Hollow victories. No real overarching theme. And a bittersweet ending—if not a downer ending.

Themes

Now, my initial discussion with Josh yielded the conclusion that this series has no themes—no serious themes that is. The slogan of the series comes up every episode, right beneath the title:

“Will you kill someone you love, because of love?”

OK, now that’s an interesting, yet ludicrous question to ask someone. As Josh related:

“Will you stab your own heart with a knife, thereby killing yourself, to save yourself?”

I know that the animators really wanted to emphasize the relationships between the main character and Yomi, but this slogan just comes off as sadistic and cheesy. Although, to the credit of the animators, Yomi does become well liked by the audience by the time she gets possessed by the main demon villain. It’s a really unfulfilling and unproductive anime to watch—theme-wise.

Final Thoughts | Conclusions

Ga-Rei: Zero isn’t an awful series. I know I didn’t give it very many complements, but I just can’t bring myself to say that it’s an awful piece of work. It isn’t terrible—in fact I was so hooked on the series that I finished it in 3 days. It’s a very entertaining series, but it falls short of being rewatchable. It masquerades as a deeper work when it’s just as shallow as any other summer action flick. The idea that killing family members and emotionally traumatizing high-school girls just doesn’t seem highly valued on anyone’s “Themes” list.

Ga-Rei: Zero is entertainment, nothing more. Whether or not you actually find yourself enjoying the carnage and bittersweet ending will depend on your own taste for dark snuffy-like films. Personally, I feel that there are much better ways to explore the depths of human dispair and sacrifice—even using demons as a vehicle for such goals—but Ga-Rei: Zero just didn’t present the material right. What’s more is that the manga is, supposedly, light-hearted, very light-hearted. I have no idea why the animation studio would try to give the fan-base mood whiplash by presenting a darker and edgier prequel.

In any case, I would carefully recommend this series, but I would only advise that you watch it once.

Score | Charts

New Rating Scheme

After discussing some of Josh’s rating criteria, I’ve decided to change the way I review my anime. I tend to put a lot of emphasis on the themes and motifs an anime can draw, whether or not they’re actually there. I’ve realized that this gives a lopsided view on what makes a “good” anime vs what makes a “bad” anime. There’s so much more to an anime series than the images it portrays and the questions it asks; in fact, there’s a lot of work that goes into the production of the anime. You also have to consider how the audience feels about the series. Simply put, anime is no different than any other media that’s produced for profit; it’s ultimately meant to tell a story and bring someone’s ideas to light. My previous reviews have neglected this fact and might have harshly criticized other anime series without taking into account the context of the work; the purpose of its creation. As such, I’ve decided to add a “Tilt” value, that won’t be shown on the graph, but will be explicitly told in the review calculation. The Tilt rating will be my own personal rating that will “curve” the final rating. The exact value is determined by my opinion of the work, how I perceived its purpose, and how well it fulfilled that purpose. The Tilt value is weighted, but the total weight of the grade exceeds 100%. This means that this curve is a flat increase in score and presents a significant bias that gives the reader a better idea of how “good” the anime series is. Now, in order to offset this, I’ve decided to allow negative values for anime that I do not approve of, but I’ll warn you beforehand. Furthermore, I plan on breaking down all the review calculations for you in this section.

*Deep Sigh* Whew, with that, here are the ratings.

Ratings

Attributes Values Weight
Impression 7 5%
Hype 8
Plot 7 30%
Setting 6
POV 5
Characters 5 30%
Themes 2 35%
Symbols 2
Images 2

Rating Summery

Rating Raw Score: 44
Weighted Score: 4.375 (43.75%)
Tilt (Raw): 7
Tilt Weight: 25% (Total Inflation: 125%)
Tilt Weighted Score: 1.75

Total: 6.13

Rating: 61.30%

Charts

Rating Chart:

Attribute Chart:

[Thoughts] Ga-Rei: Zero Finished | Fast Track

Ga-Rei: Zero is Depressing at Best

Sigh, so I just sped through the entire series of Ga-Rei in less than 2 days and, let me tell you, it’s one of the most depressing and nihilistic anime I’ve ever seen. This is one of the few anime that I’ve seen that compels the audience to continue watching and, at the same time, hate themselves for doing it. The characters are interesting enough, with the exception of our weak protagonist, the story is compelling, the action scenes are grotesque, and the series has plenty of moments that, both, warm your heart and raise your heart-rate. Unfortunately, the series is extremely morbid, dark, and shaggy. The themes portrayed in the series sneers the idea of relationships, feelings, and logic. In combination with emotionally weak protagonists, who are in the business of killing demons, the anime just flat out frustrates you to no end. The series continuously makes up hackneyed and filibuster excuses to prologue the inevitable. Also, no one really cares to see the main character lose their will to fight – honestly, who gives a shit about emo girls who bitch about killing zombies? Now, I know that the circumstances that the main character finds herself in is incredibly stressful; she has to kill demons, harbor a demon inside her body that will cut her lift short (at the end), kill her sister (the closest person she ever had), and do all of this while she’s still in high school (so between the age of 14 – 18). Yeah, that would suck balls to have to deal with that. Hell, I get stressed out over not getting my coffee made correctly – this girl is complaining about having to kill supernatural beings that threaten the Earth’s population; not to mention that this line of business tends to kill everyone and everything she ever held dear in the world, including her mother, her father, her sister, and her uncle; one of whom became a demon. So yeah, understandable but this is not the real world; we’re in anime-land now. If the real world had demons that required killing, then you’d expect some serious bad-asses to be in the business doing the dirty work; not some wimpy cry-girl who can’t handle the pressure. Albeit, the series features some major bad-asses with big guns.

*Scoff* I could go on and on about this. In fact, there’s so much I want to say about it that I can’t find the words to type; plus it’s 3:00 AM, so that might have something to do with it. In any case, it’s actually very unusual to find myself at the end of a series after just 2 days, given the reservations I have. Why’s that? Well, that’s because the series was good; but draining. It was entertaining, fun, and redeeming in some ways. But I feel that there were glaring flaws that reeked of campy story-writing. I just feel that the writers wanted to pull every reason in the book to take school girls with big swords and viciously murder their friends, families, and coworkers. Despite the coolness of killing demons and big swords, I just can’t find myself feeling good about this series when it’s all said and done – I feel tired, emotionally drained, and unsatisfied in so many ways.

Fast Tracking | Review

Just like how I fast-tracked the viewing of this series, I plan on pushing the review up. I will probably have it finished in a couple of days. There’s so much I want to discuss about this anime, but I know that I’ll forget it all if I don’t spend the time to vomit all the details up now. Oh, and I know that I spent an unfair amount of time and energy on this series over other the anime that I have listed. This series was that engrossing; that’s not saying it was good. But does that mean I’m bias against downer anime? HELL, YES! I honestly feel that a downer anime series better have a damn good point to make if they’re going to make me feel like shit for the next two weeks. Like, I’ll be thinking to myself,

“Now, what the fuck was that all about?

Unfortunately, this series has absolutely nothing to offer the audience. No themes. No message. Just dead family members.

God dammit! I can’t tell if I hate this series or love it. And that may or may not be the sign of a good anime, but, just like a scale, if you put two really heavy weights on both ends at the same time, the fucking scale will break! Loading up an anime with dark and nihilistic themes doesn’t mean a good anime. Angst only goes so far. ARGH!

*Sigh* OK. That’s it for my rant. I’m exhausted. Seeya in a couple of days!

-Ja-ne!