Bakemonogatari

Okaeri!!  I’d say I’m going to do something unusual today, but, let me be honest, I say that every time I post.  I guess I’m just not the type to keep to a standardized format.  Anyway, yes — I realize this series hasn’t finished yet, but since the last three episodes are taking forever and a year to come out, I decided I’d go ahead and do the review.

Introduction and Rating

Bakemonogatari is a supernatural romantic comedy that deals with many well known — or at least I assume well known — Japanese myths and monsters.  The main character, plagued by the curse of a once monstrous vampire turned cute loli, quickly finds himself in the middle of several unbelievable situations as he tries to help others deal with their various problems.

Art:  10
Animation:  9.5
Music:  9
Characters:  10
Plot:  9
Average:  9.5
My Rating:  9.5
Comments:  Series… needs to finish… n33d moar catgirl! (I guess I can settle for Himari.  Mmmm… catgirl… *sneeze*)

Story

The story follows the high schooler Araragi-kun who, as we find out, was turned into a vampire during the previous golden week holiday.  He has been reformed and is now living the life of an ordinary high school boy.  Unfortunately (or is it fortunately?), that life is shattered when he saves a mysterious girl named Senjougahara from falling several stories down a stairwell to an untimely… bump on the forehead.

Plot Summary

The story is fairly modular and revolves around the strange events that Araragi-kun encounters during his day to day life.  From the people he meets, to the things he uncovers, nothing is ever what it seems, and most of it is out to kill him — or at least kill time.  Instead of run from these “oddities”, Arararagi-kun does the next perfectly logical, suicidal thing:  run towards them.  With the help of his savior, the priest Oshino, he strives to help those people who have had their lives consumed by the monsters within.

Main Characters

The plot focuses on the oddities which Araragi-kun encounters.  Each new character brings with it a new oddity, so the characters the story focus on change.  Because of this, I’m only going to list the characters that show up regularly.

  1. Koyomi Araragi : The main character of this story.  Araragi-kun is a not so ordinary high school boy trying to lead an ordinary life, but his luck is horrible.  He frequently finds himself in situations that most would only encounter once in a lifetime if ever.  His kind, honest demeanor demands that he save others as he was once saved, and so you can bet he’ll push through the fire and flames in order to solve whatever impossible situation he finds himself in.
  2. Karen and Tsukihi Araragi: I lied, these two aren’t main characters.  They don’t even have their own arc… yet, but these are the best twin sisters EVER.  I wish I had sisters like this to wake me up after nearly being killed by an oddity.  Unfortunately, they don’t show up too often, but because of the moe factor I couldn’t resist including them.
  3. Hitagi Senjougahara: The love interest, to put it simply.  Everyone’s love interest might be a more accurate.  Senjougahara is an ultra cynical and withdrawn girl in the same class as Araragi-kun.  She initially becomes involved with him after he finds out her little problem with a big “heavy crab” and she threatens his life with a razor and a stapler.  I’m not a fan of crabs honestly, they’re hard to eat… but I’m fairly sure that most girls would kill to have this one take a pass at them.  After her problem is solved, she becomes curious about Araragi-kun and begins to hang out and talk with him on a regular basis.  The rest… well, you’ll have to wait and see.
  4. Meme Oshino: Badass priest.  No other real description is necessary.  He is the one that saved Araragi-kun when he was bitten/turned into a vampire by Shinobu.  How he saved Araragi-kun has yet to be revealed, but having reduced the queen of demons to a loli of her former-self, I think it’s safe to say… He’s a badass.
  5. Tsubasa Hanekawa: The beautiful girl with… cat ears?  Well she may not have a sword but she’s got claws and plenty of moe to go around.  Hanekawa is the student council president and close friend of Araragi-kun.  Whenever she gets frustrated, she releases the Tsubasa Cat to wreak havoc until she has relieved her stress.  You really don’t see too much of this character until the last few episodes, but let me just say… it’s nyandurful!  …now I’m confusing anime…

Remarks

Openings/Art

This anime is only supposed to run 14 episodes… and it has 5 openings.  What’s more, they’re all awesome!… or at least decent.  Let me go ahead and list them out with the related character arc and a brief description.

Staple Staple – Senjougahara/Hitagi Crab

– This definitely isn’t my favorite opening, which is ironic because Senjougahara is by far my favorite character.  That’s not to say that it’s bad, the song is great, but nearly the entire thing is composed of the viewer following around a 3-D approximation of a stapler.  They did a good job synching up the stapler with the beat so I’ll give them points for that, and this is one of my favorite songs from the anime, but I think they could have done a lot more.

Kaerimichi – Hachikuji/Mayoi Snail

– Still not my favorite opening but it definitely will keep your attention.  I mean, who wouldn’t watch a cute little girl with a backpack as large as she is running around on screen?  It’s ironic that the pace is so upbeat given the oddities name is “snail”.  I don’t like the song as much as Staple Staple, but the animation that goes with it is much better in my opinion and it fits the focus character of the arc very well.

Ambivalent World – Kanbaru/Suruga Monkey

– The song for this opening is okay but not amazing, and I can see that they were trying to fit the character by putting something sporty in with the basketball goal at the beginning, but I don’t understand why it suddenly breaks down and shows Kanbaru running across flowers.

Renai Circulation – Sengoku/Nadeko Snake

– I still can’t get through this song without thinking, “that has got to be one of the most moe things I’ve ever heard”.  Then again, I can’t get through this song.  Every time I hear it on my playlist I stop it and play it again… and again… and again…  Anyway, this is definitely my favorite opening.  Both the music and the animation fit perfectly to the character and make for the most moe intro you may ever see.  I was truly saddened when they changed intros on me… those bastards!   Need more moe!

Nya?  I think I hear it coming this way…

Sugar Sweet Nightmare – Tsubasa Cat

– The music for this intro is definitely good and it seems like they put a lot of work into it, but the animation isn’t really animation at all.  It’s mostly just a series of black and white pictures of a girl whom I assume is supposed to be the real life representative of the anime character (maybe it’s the voice actress?).  Anyway, it definitely kept my attention, especially considering many of the pictures are NSFW, but I would have preferred an opening with the actual character or at least one with a little more color.

**As a side note, make sure to check out the ending.  Out of all the anime I’ve seen, the song has definitely become one of my favorites.

The opening songs aren’t the only things you should keep your ears open for.  Throughout the story, the background music is utilized to set the overall tone — something that is often missed or misused in anime — but they do a good job.  It really adds to the anime and gives a better impression of the thoughts of the main character.

As for the art, let’s be honest, this anime was made by shaft; it’s completely mental.  I’d say that this anime is definitely comparable to 5 cm/s, and that’s saying something.  Anyway, I think I may have said too much…

Overview

Bakemonogatari is probably one of the best anime on the market right now.  The only possible thing I can say against it is that the last episode is taking too long to come out!  Seriously, it took like 2 months for the first Tsubasa Cat episode, and now they’re making us wait again?!  They really need to finish up this series and start a new season already.  Anyway, I hope my frustration is enough to convey my thoughts on just how good of a series this is.  I highly recommend it to anyone who watches anime, and this is one of the few anime I might recommend even to those who claim they don’t.  Anyway, happy watching!

[Review] Canaan

Introduction

Canaan is probably one of the most taut and under-fueled series I’ve seen. I’m just really glad that I waited until it finished at the end of fall 2009 before I actually picked it up. I first heard about it very early in October, which was after it completed in September, but I never actually pursued the series. I read great things about it, but decided to put it on the wait list.

Earlier this year (2010), I read that it was voted one of the best anime of 2009, and I figured that was enough to rocket it to the top of my “to-watch” list. I gobbled the series in three days, after being successfully hooked by the crisp and fluid animation style, the superpower nature of the title character, and the refreshingly believable cuteness of the main character, Maria.

The plot started out disjoint and fuzzy, harkening back to Gundam 00’s introduction style. Once I saw the first episode of Canaan, I assumed that this season was going to be just one of many, and would undoubtedly end on a cliffhanger. After finishing the series, I now wish that it did end on a cliffhanger, because the ending is some sort of mix between a non-ending, a gecko ending, and a wall-banger.

Characters

  • Maria Osawa: A jovial, genki girl, who’s borderline neurotic. Breaking in wide-eyed and smiley, Maria’s fascination with the world drives her to become a photographer and “show the world through her eyes.” Her reasons for being a freelance photographer might be weak, but in all of the anime I’ve seen, her cute moe-moe character is one of the more realistic imitations of a human personality. Lucky us, she stars as the series’ protagonist, despite the title being “Canaan.”

  • Canaan: Gravity-defying action girl. None other than a nasty government experiment let out of its cage, Canaan has a sinister origin and has become nothing more than a mercenary doing the dirty work of a clandestine organization that’s a part of the Japanese Government. During her jobs for the Japanese Government, Canaan has the tendency to ignore the rules of physics in order to preserve the rules of cool. As a staple of her profession, she specializes in Gun-kata and Gun-fu with the help of her super-senses to detect enemies through walls. Apparently, the name given to her superpower, by the author, is called Synesthesia, which actually refers to a totally different neurological condition.

  • Minoru Minorikawa: A hot-blooded reporter from Japan, with absolutely no direction, no real scoop, and acting as Maria’s babysitter on this quick little vacation to China, for what appears as coverage over an undisclosed—to the audience—Chinese celebration. His ten minutes in the spotlight culminate into a brief display of badassery/stupidity, masked as empathetic courage, as he slowly walks to a shell-shocked Hakko and gives her a cooldown hug.

  • Alphard Alshua: The big bad of the series, albeit a bit debatable whether or not she actually fulfilled the role or if she’s just a crazy, backstabbing bitch. Her character and her motives are never truly revealed, but from what I can surmise, she was just in it for the money and the popcorn-show.

  • Liang Qi: A depraved and abject bitch who likes to swing large swords while wearing lingerie. Liang starts off as Alphard’s subordinate, but is soon relieved of her responsibilities after demonstrating very poor mental and emotional health; neurotic scenes of wangst and lesbian obsession soon follow. I found that Liang’s exasperated cries of love were mawkish and disturbing, not dishy.

  • Yun-yun: A Chekhov’s Gunman that serves as some sort of human Swiss-army knife when it comes to careers. Initially, she was employed as an assassin for Alphard, albeit too nice of a person to be one. In all fairness, she had no choice but to work for Alphard, because she is a Borner (not boner) and depends on a specialized set of drugs, that are conveniently only in Alphard’s hands, in order to keep herself alive. Oh, and she’s Chinese.

  • High Tension” Taxi Driver: Badass taxi-cab driver, who drives like shit and has a catch phrase. He only appears a handful of times, but his sparse appearance was no hinderance to his incredible popularity among fans. He usually appears out of no where, offering a ride to wherever the characters need to be, and gets there really fast, all to the theme of bubbly Japanese pop music. Who doesn’t like that?

Plot

Hot-blooded, hotshot reporter Minoru Minorikawa and genki amateur photographer Maria Osawa fly into Shanghai in order to cover an anti-terrorist summit, which various world-leaders are planning to attend. As Maria moseys around Shanghai, during an undisclosed Chinese festival, she comes across a dead mook and begins to wonder what’s going on. Before she can complete her thought, several other mooks, predictably, attempt to tie up loose ends by stabbing her. Enter badass gunslinger girl, Canaan, who swoops in just in time to lead Maria to safety. The mooks and Canaan exchange gunfire; throughout this, Canaan displays, in dramatic flair, her ability to sense where the enemy is through her Synesthesia and her ability to defy the laws of physics. Oh, and the crowd? Apparently, the Chinese firecrackers are drowning out the sounds of gunshots, and their common sense as well, so they don’t notice a thing, even though bullets are ripping apart the buildings around them.

After a brief interlude of side-quests, we meet Yun-yun, a drug-dependent Borner—not boner—who works for the big-bad, Alphard Alshua.

A borner is a person who was used as a biological test subject by the United States military, specifically using the “Ua Virus.” The US wanted to create super-soldiers using the Ua Virus, but sometime between now and then, abandoned the project.

The series chronicles approximately 1 to 2 weeks of Maria’s trip to Shanghai, in which various incidents occur, ranging from near-fatal train-rides to investigating a cos-play bar. What’s really disappointing is that this series had so much potential to be more than just comic-strip anime. It’s composed of several disjoint events—albeit, they flow well—that all allude to a darker and sinister meaning behind everyone’s actions. Unfortunately, the build up amounts to a fizzled ending, where the status quo is restored and nothing changes; everything that transpired didn’t significantly tell, alter, or progress the over-arcing storyline. All the audience learned was that Maria and Canaan are very close friends, almost lesbians, and that there’s some ominous government conspiracy that will unfold between Japan, China, and America—not much to work with.

Final Thoughts | Conclusion

Despite my objections to the plot’s lack of mileage, I have to give it to the animators at P.A. Works for making one hell of a good action anime. The series definitely delivers on the goods. There’s plenty of fanservice, cat fights, and dakka, although we all know there’s never enough dakka. I’m convinced that the reason for the series’ abrupt and inconclusive bittersweet ending was because the studio was piloting Canaan. They probably didn’t want to invest a lot of thought into pushing Canaan beyond 1 season, so they just threw whatever they had out there. When the series became more popular, P.A. Works probably decided to put some sort of sequel hook at the end of the series to string the audience along.

With all that aside, I felt that the series was very smooth, enjoyable, and fairly sensible. The plot wasn’t some mind-screw plot twist, despite the government conspiracy take. The character designs were humanly cute, but not too realistic for fiction. And the production values were top-notch, as Josh will attest to sometime next year when he finally gets his review out. If you need a quick and smooth fix for a more than decent action anime, take a look into Canaan.

Score | Charts

Changes

Scoring

I’ve changed the way I rate anime, yet again. I felt that my previous rating scheme put too much emphasis on themes, and didn’t actually look at what the series was trying to be. So instead, I’ve fixed that by reducing the amount of rating categories for the overall rating, and added several tilt values for each category.

So, what’s that mean? Well, that means that I’ll still be looking at the plot, setting, characters, and themes, but I’ve given every single category a tilt, which will increase that category’s score by a small amount. This “tilt score” will be based upon the series’ Attribute Score, which is something I’ve been doing for awhile now, but haven’t really found a good use for. Now, since the Attribute Score affects the Rating Score, I’ve decided to change several categories in the Attribute Chart. Most of the categories should be familiar to you, unless you haven’t been to Blockbuster in a few decades.

So, how does the Attribute Score affect the Rating Score? Well, depending on the genre and the nature of the anime, I’ll be giving more “weight” to the “raw tilt score” of each Rating Chart category. I know that didn’t quite make sense, but let me just give you an example.

Say the anime series I reviewed was an action anime. Well, to rate it against its themes and symbols would be a bit unrelated and the series’ score would suffer for it, even though the anime was clearly just trying to be an action anime. So, in order to compensate for its lack of plot and/or themes, I will be giving more weight to its tilt on the plot and the themes.

If that doesn’t make sense, you can just conclude that I do a bunch of black magic and spit out a score, which is what every other reviewer does, anyways.

The Production Score Chart

I added a new chart call “The Production Score.” This is basically a chart that documents the rating of the series’ art, music, sound effects, and voice acting. Simple as that. It doesn’t affect any other ratings and it’s meant to give you an idea of how “well” the anime was done physically.

Attribute Chart

Production Score

Rating Chart

Ratings

Attributes Score Weight Tilt
Plot 5 65% 0.54
Setting 6.5
Characters 5 25% 0.26
Themes 1 10% 0.34

Ratings Summary

Rating Raw Score: 21.8
Weighted Score: 6.2375
Tilt Weight: 5% (Total Inflation: 105%)
Tilt: 1.14

Total: 7.3775

Rating: 73.78

Gallery

[Review] Goshuushou-sama Ninomiya-Kun

Introduction

Goshuushou-sama Ninomiya-Kun (GN) is a standard issue ecchi series, complete with moe-blobs, Japanese high school, and military combat. The series focuses on Shungo Ninomiya, a badass normal high school student who has to take care of a busty androphobic succubus, Mayu Tsukimura, who can’t control her powers of attraction, which results in some rather interesting situations.

Characters

  • Shungo Ninomiya: Our hapless hero of the series; Shungo has the unfortunate task of taking care of Mayu—with his action-girl sister not helping—which has proven to be more than a handful. Shungo may play as an ordinary high school student, but he’s actually quite the action-hero. Through the work of his mischievous sister, Shungo has to go through hellish combat training on a regular basis, such as fighting bears in the arctic! His sister also comes up with sexually charged and fanservice-oriented theropy for Mayu, which results in awkward situations and hilarity. Fortunately, the series is focused on delivering as much fanservice as possible, so it faithfully places him in the role of butt-monkey, most of the time.

  • Mayu Tsukimura: A young girl who happens to be a succubus that’s afraid of men. Her supernatural ability to attract men intensifies whenever she feels anxious and she has absolutely no control over her powers, which just adds to the humor—it’s a vicious cycle: she gets anxious when there are men around, which attracts more men, which makes her more anxious, and so on and so forth.

  • Reika Hojo: The last side of the love triangle, Reika is a tsundere meido with a hidden evil side who’s a yandere. She’s the daughter of the owner of a mega-corporation and the high school’s student president, so, naturally, she gets involved with Mayu and Shungo through various circumstances that were masked as efforts to stabilize the school’s morals, when, really, they were just romantic advances towards Shungo. Her normal personality isn’t quite as interesting as her relentless alter-ego; one’s a bitch, the other is a ruthless sex-maniac.

Plot

The series is, for the most part, modular and can be viewed out of order, until the last 2 episodes. Each episode roughly follows the same formula, focusing on Mayu’s klutzy behavior and fear of men to drive the humor for 30 minutes—and occasionally throwing Reika into the mix.

While Shungo’s sister, Ryoko, is out fighting against unknown enemies, Mayu arrives at Shungo’s school and greets him via “crash into hello”—the kind that instantiates a 69. After their first meeting, Shungo is told by Ryoko that Mayu will be staying with them until she’s cured of her androphobia. Later on, Shungo learns that Mayu is a succubus and that her uncontrollable ability to attract men is further agitated by her anxiety.

Mayu immediately transfers to Shungo’s school and along the way they meet Reika, the school president. Soon afterwards, Reika gets involved with Mayu and Shungo’s business and challenges Mayu to a contest—of which she loses. As payment for her loss, Reika has to work as a meido for Shungo’s family.

Through a series of episodes featuring a visit to the beach, military kidnappings, sexually charged training (to get over the androphobia), lesbian action, a school fieldtrip, and laser-guided amnesia, Shungo discovers that he knew, both, Mayu and Reika when they were very young. Reika’s evil personality takes over her body, uses her financial pull to physically separate Mayu from Shungo, and attempt to rape him. Luckily, Shungo escapes the ordeal, with the help of his friends. Concurrently, Mayu goes looking for Shungo and they meet up not too far from Reika’s hideout. Reika becomes terribly upset and orders her butler to kill Shungo. After was appears to be a blow-out, Shungo is saved at the last moment, by Mayu, and manages to take out Reika’s butler in one blow. Unfortunately, this pits Mayu deadly close to the edge, but through a weird set of circumstances involving a lesbian kiss, Mayu survives and the status quo is reinstated.

Themes

Being an ecchi series requires some sacrifices, such as substance, themes, and a plot worth analyzing. As such, I think I’m just going to breeze over this section of the review, because, honestly, this series is about one thing, and one thing only, FANSERVICE. With that, I’m just gonna continue along to the final thoughts.

Final Thoughts | Conclusion

When I finally started writing the review for this series, I had forgotten everything about it—except the fanservice. So I went ahead and rewatched the whole series over again, and, in hindsight, the series was actually a lot better than I had first concluded. Compared to a few other ecchi comedies I’ve seen, I feel that this one had a little bit more effort put into it—albeit, not that much more effort. Still, even though I have seen other ecchi series, such as They Are My Noble Masters and Akane-iro Somaru Saka, I’d have to say that this series is one of the most entertaining and balanced ecchi series I’ve seen—let’s just say that whenever I try to think of an ecchi series, Goshuushou-sama Ninomiya-kun is the one that comes to mine; although, now it’s starting to get some competition from the new cat-girl oriented Omamori Himari.

If you’re looking for a light-hearted, predictable, and surprisingly funny series, GN is what you’re probably looking for—a little fanservice never hurt, either.

Score | Charts

Ratings

Attributes Values Weight
Impression 8 5%
Hype 6
Plot 5 30%
Setting 6.5
POV 6
Characters 5 30%
Themes 1 35%
Symbols 1
Images 1

Ratings Summary

Rating Raw Score: 39.5
Weighted Score: 3.95 (39.50%)
Tilt (Raw): 7.5
Tilt Weight: 25% (Total Inflation: 125%)
Tilt Weighted Score: 1.875

Total: 5.83

Rating: 58.30%

Charts

Rating Chart

Attribute Chart

Gallery

[Review] Ga-Rei: Zero

Ga-Rei: Zero Review

Introduction

Ga-Rei: Zero is actually the prequel to the ever popular manga, Ga-Rei. As far as the audience knows, from the marketing department no-less, the story is about a band of super-powered heroes who use crazy weapons, such as motorcycles and briefcases, to defeat invisible demons. Of course, the show completely subverts this and kills off all the characters at the end of the first episode. The next episode continues on and introduces a new set of characters and then subsequently tells the tale of how they got there. Of course, if you’ve read the manga, then you would be prepared for the direction this series takes.

Characters

  • Natasuki Kasuga: The first female lead, prior to her murder at the end of the first episode. She acts as the Lancer in the first anti-demon group you’re introduced to. Believe it or not, she uses a motorcycle as her weapon against demons; there are inscribed runes on her tires and she maneuvers her bike in a way allows her to bludgeon demons with her tires; something that is beyond the impossible. Unfortunately, Kasuga will probably be your favorite girl in the series even if she only lasts for 20 minutes on-screen.

  • Toru Kanze: The first male lead, first lead actually, prior to his murder at the end of the first episode. He briefly fulfills his role as hero in the first anti-demon group you’re introduced to. Unlike many of his coworkers, he’s a gunslinger; opting to use dual pistols akimbo. It’s too bad that he gets brutally ripped apart at the end of the first episode, because he’s pretty badass.

  • Kagura Tsuchimiya: The real protagonist of the series, albeit not introduced as one. She’s one of the central characters in the manga, so, naturally, she takes up a lot of the screen time. The majority of the plot is based around her relationship to Yomi, her figurative older sister.
    Kagura is a very weak person – in my opinion. I know that in the manga, she’s supposed to be a genki, yet competent person. Alas, she’s next to worthless in the anime, especially following her heroic BSOD. Now, this is forgivable because she’s just a young high school girl who’s training to become a demon slayer. I suppose that a little bit of Post-Traumatic Stress Disorder is understandable. Regardless, she’s a bit of a handful for the un-expecting audience.

  • Yomi Isayama: Arguably the only reason for this depressing excuse for a prequel. This entire series is about Yomi’s fall to evil, which doesn’t really tie that strongly into the manga; there’s a story arc about Yomi, but that’s about it. So really, this prequel is merely an excuse to explain Kagura’s and Yomi’s back-story – the rest is just a tear-fest.
    Aside from the psycho the animators offered at the beginning of the series, she used to be a kind and loving girl. In fact, the animators successfully induced mood whiplash by first presenting a complete monster and then showing us that she is actually a very loving, and lovable, girl. The moment right before her fall will undoubtedly produce tears.

Plot | [Full Spoilers]

Ga-Rei: Zero starts off in Tokyo sometime in the present, or near present, as invisible demons begin attacking the city. Apparently, this isn’t the first time this has happened. The Japanese Government has established two different departments, in secret, to battle these demons: The Ministry of Defense’s Paranormal Disaster Countermeasure Headquarters and The Ministry of the Environment’s Supernatural Disaster Countermeasures Division. Both of these departments are aware of each other’s presence, but are vehemently opposed to one another.

Sidetrack

OK. Stop! Tokyo is (and always has been) attacked by huge, invisible demons that create physical destruction and mayhem that not only destroy the infrastructure of city, but also kill people, lots of people, and the government’s only defense departments are having a piss-fight over jurisdiction? Give me a fucking break.

Now, I know that this has happened before, particularly in very recent history (click the link to make more sense of the following point), when the Central Intelligence Agency (CIA) refused to cooperate with the Federal Bureau of Investigation (FBI). But both agencies had a very good reason for not releasing information pertaining to their respective cases:

  • FBI: The FBI’s only job is to prosecute crimes that have been committed (i.e. gather evidence and build a case). If the FBI were ever to give their information to any other agency, it could, and most likely would, spawn a leak in their case and would jeopardize their case—most cases require the testimony of a witness, who will only speak under very strict circumstances, such as witness protection.
  • CIA: The CIA’s only job is to gather foreign intelligence (as in intelligence pertaining to the whereabouts of threats that are aimed at the United States, but do no originate from the United States) and take necessary actions to protect the United States from foreign attack, whether terrorist and/or state related. The CIA has an even tighter rope to walk, because if they allow other agencies to have information that they obtained through secret means, it could jeopardize their ability to defend the United States from foreign attack. Also, the CIA has operatives working in hostile territory and information pertaining to a given event might allow foreign attackers to trace it back to the CIA and their operatives, thereby losing the initiative of the operation. Simply put, if the CIA shares information and that information gets into the hands of the wrong person, it could seriously fuck up the CIA and make them look retarded. Bad!

Here’s the thing though (Rebuttal): Before the events on 9/11, the FBI and CIA were not willing to cooperate with one another because of the aforementioned reasons. But they were more than willing to share information right after the airplanes smashed into the World Trade Centers and the Pentagon. But this idea is not reflected in Ga-Rei: Zero, where demons are wrecking havoc all over Japan, not just Tokyo, and the two Ministries are still not willing to cooperate. That’s just bullshit.

Back to the Point

Getting back to the point, we see our purported heroes kick demon ass, after the redshirts get killed of course, only to be obliterated by Yomi (now, the antagonist). Well that sucked.

Topside, Kagura is kicking demon ass until she encounters Yomi, who’s just finished ripping The Ministry of Defense’s Paranormal Disaster Countermeasure Headquarters intro shreds, literally. The two face off as sisters, which hinders Kagura’s will to fight Yomi. Unfortunately, the audience doesn’t have the emotional attachment to Yomi to make this event significant; actually, it’s rather obnoxious and revolting that Kagura won’t fight Yomi. Yomi is clearly a cruel monster, so what do the animators do? They tell you how they got there.

The Quick and Dirty Flashback

The episode switches to the past and the story follows Kagura’s training as a demon slayer alongside of Yomi, her figurative big sister. Yomi is kind, light-hearted, and loving. She’s sweet and mello; the perfect big sister. Through a particularly violent family feud, Yomi’s father is murdered and she finds out who killed him. Yomi then kills the murderer and then gets attacked by the real demon threat behind the murder. She gets severely injured and sinks into a state of deep-seeded weakness. After much emotional bonding, Kagura asks Yomi if she killed the person who murdered Yomi’s father, who is Kagura’s uncle. Yomi doesn’t answer her straight and Kagura, slightly heartbroken, walks outside for some “fresh-air.” All alone and regretful, Yomi silently cries and repeatedly says, “I’m sorry.” In her darkest hour, Yomi is confronted by the demon behind her father’s death and he “possesses” her—in a sense—and Yomi becomes the horrible monster that was portrayed in the first episode.

Back Up to Speed

After several battles, Kagura finally wills enough courage to kill her sister.

We look around and see dead characters—dead main characters. Broken characters. Hollow victories. No real overarching theme. And a bittersweet ending—if not a downer ending.

Themes

Now, my initial discussion with Josh yielded the conclusion that this series has no themes—no serious themes that is. The slogan of the series comes up every episode, right beneath the title:

“Will you kill someone you love, because of love?”

OK, now that’s an interesting, yet ludicrous question to ask someone. As Josh related:

“Will you stab your own heart with a knife, thereby killing yourself, to save yourself?”

I know that the animators really wanted to emphasize the relationships between the main character and Yomi, but this slogan just comes off as sadistic and cheesy. Although, to the credit of the animators, Yomi does become well liked by the audience by the time she gets possessed by the main demon villain. It’s a really unfulfilling and unproductive anime to watch—theme-wise.

Final Thoughts | Conclusions

Ga-Rei: Zero isn’t an awful series. I know I didn’t give it very many complements, but I just can’t bring myself to say that it’s an awful piece of work. It isn’t terrible—in fact I was so hooked on the series that I finished it in 3 days. It’s a very entertaining series, but it falls short of being rewatchable. It masquerades as a deeper work when it’s just as shallow as any other summer action flick. The idea that killing family members and emotionally traumatizing high-school girls just doesn’t seem highly valued on anyone’s “Themes” list.

Ga-Rei: Zero is entertainment, nothing more. Whether or not you actually find yourself enjoying the carnage and bittersweet ending will depend on your own taste for dark snuffy-like films. Personally, I feel that there are much better ways to explore the depths of human dispair and sacrifice—even using demons as a vehicle for such goals—but Ga-Rei: Zero just didn’t present the material right. What’s more is that the manga is, supposedly, light-hearted, very light-hearted. I have no idea why the animation studio would try to give the fan-base mood whiplash by presenting a darker and edgier prequel.

In any case, I would carefully recommend this series, but I would only advise that you watch it once.

Score | Charts

New Rating Scheme

After discussing some of Josh’s rating criteria, I’ve decided to change the way I review my anime. I tend to put a lot of emphasis on the themes and motifs an anime can draw, whether or not they’re actually there. I’ve realized that this gives a lopsided view on what makes a “good” anime vs what makes a “bad” anime. There’s so much more to an anime series than the images it portrays and the questions it asks; in fact, there’s a lot of work that goes into the production of the anime. You also have to consider how the audience feels about the series. Simply put, anime is no different than any other media that’s produced for profit; it’s ultimately meant to tell a story and bring someone’s ideas to light. My previous reviews have neglected this fact and might have harshly criticized other anime series without taking into account the context of the work; the purpose of its creation. As such, I’ve decided to add a “Tilt” value, that won’t be shown on the graph, but will be explicitly told in the review calculation. The Tilt rating will be my own personal rating that will “curve” the final rating. The exact value is determined by my opinion of the work, how I perceived its purpose, and how well it fulfilled that purpose. The Tilt value is weighted, but the total weight of the grade exceeds 100%. This means that this curve is a flat increase in score and presents a significant bias that gives the reader a better idea of how “good” the anime series is. Now, in order to offset this, I’ve decided to allow negative values for anime that I do not approve of, but I’ll warn you beforehand. Furthermore, I plan on breaking down all the review calculations for you in this section.

*Deep Sigh* Whew, with that, here are the ratings.

Ratings

Attributes Values Weight
Impression 7 5%
Hype 8
Plot 7 30%
Setting 6
POV 5
Characters 5 30%
Themes 2 35%
Symbols 2
Images 2

Rating Summery

Rating Raw Score: 44
Weighted Score: 4.375 (43.75%)
Tilt (Raw): 7
Tilt Weight: 25% (Total Inflation: 125%)
Tilt Weighted Score: 1.75

Total: 6.13

Rating: 61.30%

Charts

Rating Chart:

Attribute Chart:

[Review] 5 Centimeters per Second

Introduction

True to its name, this movie doesn’t move along much faster than 5 centimeters per second, but it’s not a bad thing – there’s a good reason for the pace of the series. Like his earlier works, Makoto Shinkai has created a heart-touching story between two star-crossed lovers that hits home so hard that even King Arthur couldn’t seize the sword that will surely pierce your heart; every frame of the movie is filled with incredible amounts of detail (scenery porn), every scene carries some sort of meaning or theme, and the ending is esoteric.

5 Centimeters per Second is one of the greatest works of all time, even when compared against great Hollywood films, such as Casablanca and Gone with the Wind; the series absolutely outdoes every single anime movie and anime series that I’ve seen thus far – and probably ever.

Characters

As usual, I will just list out the characters and give a quick blurb about them.

  1. Takaki Tōno: The main protagonist of the story. The movie follows Takaki’s emotional downfall, and his subsequent recovery at the very end. Albeit, the second episode focuses on another girl who’s in love with Takaki, but for the most part it can be argued that Takaki is the main protagonist. He’s a kind, soft-spoken male who continues to wait for his first love, Akari. Although, I’m not entirely sure why he’s so hung up on Akari, because if he truly wanted to be with her, wouldn’t he try to pursue her once he got out of college? He was so deeply heartbroken that he couldn’t bare to work anymore. Hell, if you truly love someone that much, you might as well stalk them out on Facebook and profess your undying love for them. But I don’t want to downplay or satire the work of the author by using this character as a vehicle for that, because I know what it’s like to be there. I know what it’s like to be in love and not have the person you love be with you – it’s worse when you know that person moved on without you. That’s the perpetual state that Takaki is in – a constant “I’m left behind” state that cripples his life for 14 years. Several opportunities pass him by and he even gives up the possibility to be happy with one of two girls who had fallen hopelessly in love with him just for the prospect of being with Akari. Poor guy…
  2. Akari Shinohara: Akari is Takaki’s love interest, who just so happens to love him back. Unfortunately, she has to move far away from Takaki and the two begin to drift apart. Not much screen time is used on Akari, but we do know that she’s a considerate, reasonable girl who is just trying to get through life. We learn in the third episode that she’s in an arranged marriage and is depressed over the fact, but she hides it very well from her parents and the audience for that matter. She occasionally thinks about Takaki, but is mostly focused on making her arranged marriage work, by showing affection for her husband. Naturally, we see that she doesn’t have the same issues as Takaki – a superpower women tend to hoard from the male race.

Plot | [Full Spoilers]

5 Centimeters per Second follows the relationship between the main character, Takaki Tōno, and his far-away love, Akari Shinohara. The movie is broken up into three different segments – episodes – and each one shows Takaki at a different stage in his life. This first episode focuses on Takaki when he’s between the age of 10 and 13 – the movie doesn’t specifically tell the audience – and he meets a girl named Akari. The second episode jumps 5 years into the future when Takaki is a senior in high school. The third episode concludes the story 9 years afterwards, ending the movie when Takaki is approximately 27 years old.

Episode 1: Cherry Blossom

This film starts off soft and innocent with our winsome protagonist, Takaki Tōno, discussing the speed at which Cherry Blossom peddles drift to the ground with his friend, Akari Shinohara. The episode is split between two different time-lines that interleave:

  • A view of what’s happening in the audience’s perception of the present
  • And a time-line consisting of flashbacks that paint past events; mostly consisting of how Takaki and Akari met and grew closer to one another

In the present, Takaki and Akari have already been separated because of Akari’s parent’s careers. But the two lovebirds still keep in touch with one another via snail-mail; this was in the early 1990’s, before cellphones and free long-distance VOIP. The distance between the two isn’t great enough to stop them from communicating with one another. Alas, Takaki learns that he will have to move away within a short amount of time; farther away from Akari. The two plan to meet one last time before breaking the event horizon of fate. Takaki plans to meet Akari at the train station closest to her home.

Takaki’s train route to Akari’s town is extremely long, twisted, and requires a lot of transfers between the trunklines. Albeit, our romantic hero carefully prepares a timetable based upon the train schedule to follow in order to arrive at a reasonable time.

On the day of the their meeting, Takaki prepares a letter for Akari confessing his true feelings for her and sets out on his, what will soon become a torturous, journey. While on the train, we flashback to how Takai and Akari meet.

Both of our cute little love doves meet in elementary school. Takaki and Akari suffer from seasonal allergies and spend their recess inside. Naturally, they begin talking to one another and grow closer together; “they speak to each other using their given names without any form of honorifics, which is very unusual in Japan, even among people who are romantically involved. This fact is lost in the movie’s translation to English and other languages, which reduces the implied closeness of their relationship.”

After graduating from elementary school Akari moves away, much to Takaki’s dismay. Despite the strong bond between the two, they begin drifting further and further apart. Soon, Takaki learns that his family will be moving far away – too far for Akari and Takaki to even have a remote chance of visiting one another. In their last grasp for one another, the two plan to meet up with before the move

Back in the present, a freak snowstorm has blindsided Takaki’s plans to meet up with Akari. The trains are slowing down. Delays are stacking up. Connections are lost. Takaki frequently turns his left wristwatch. And in a dear moment, Takaki drops his letter to Akari and suddenly loses heart – a little bit. But love perseveres! Notwithstanding, Takaki slowly pushes through the weather’s relentless onslaught. What a soldier. After two long hours of setbacks, our hero finally meets up with his princess.

A defeated Takaki slowly walks into the station and finds Akari patiently waiting for him. With her head down and hands folded, she slowly raises her head and breathes in a sigh of disbelief. Takaki slowly approaches Akari and she grabs his hand and begins to cry tears of happiness. Takaki, equally as taken, embraces her. The two of them share a small dinner together before being shuffled out of the room into the blizzard. The couple find a lonely shack to stay for the night and share their first kiss. A moment later, Takaki realizes that the two are destined to be Star Crossed Lovers.

The next morning, Akari waves Takaki off at the train-station. As the train departs, Takaki gazes out the window and regrets losing the letter he meant to give to Akari; Akari looks into her bag and sees the letter she was supposed to give to Takaki…

Episode 2: Cosmonaut

Fast-forward 5 years to when Takaki is in his senior year of high school. We’re introduced to another girl, Kanae Sumida, who’s been in love with Takaki since he joined their middle school (See here for the Japanese education system). Kanae is a amateur surfer and completely unsure of her future. She has no idea where or what she wants to do; all she wants is Takaki to love her.

The episode shows Kanae’s attempts to tell Takaki that she loves him, but failing to do so due to her own insecurities. Takaki and Kanae constantly spend time together, but Takaki only sees Kanae as just a friend and doesn’t seem to notice that Kanae has feelings for him. He also seems to be staring off into the distance and constantly emailing someone from his cell phone. After a several years of unrequited love, Kanae finally concludes that Takaki is probably thinking of something else or someone else; someone that can give him something more than she could.

At the end of the episode, we see Takaki sending emails to himself…

Episode 3: 5 Centimeters per Second

9 years later, Takaki is at an undisclosed software company coding sql scripts (has absolutely no relevance; I just recognized the code he was typing). He drags his feet to home and work everyday, feeling nothing but gloom. He says,

“Through the act of living itself, sadness piles up here and there”

Takaki smokes, drinks sodas, doesn’t even attempt to clean his room – he’s given up all hope on Akari and himself. He’s so heartbroken that he can barely hang on. Under the immense emotional stress of his long-gone love, he quits his job.

We see that he has an ex-girlfriend that is still in love with him. She texts him and calls him constantly – worrying for Takaki’s well-being. After all these years, Takaki still can’t let go of Akari.

On a sunny, breezy afternoon Takaki is walking along a familiar path through the blowing cherry blossoms and walks over a set of train tracks. The crossing gates are flashing and lowering their arms. And Takaki passes a familiar women, dressed in white and pink. Takaki thinks to himself,

“I had a strong feeling that if I turned my head, she would too…”

The two stop just outside of the crossing guards and begin to slowly turn around. In a mirror image of the past, right before the two see one another, a train flies between them – and the women disappears. Takaki’s eyes soften, and he gently smiles to himself. And just like everyone else, he turns back to the way he was headed…and moves on.

Themes

The reason this anime is so incredible is because the director emphasizes many themes – as with his previous works. I feel that talking about them in essay format would be difficult and a bit too forceful. Instead, I’ll go ahead and list out a few themes that were emphasized in this series:

  • “I Will Wait For You” Theme (Subverted): When Akari and Takaki depart one another, the two begin to drift farther away from one another. Even though the two said they would wait for one another no matter what, it’s obvious to those jaded by the same promise that unrealistic love-goals are impossible. Although Takaki does stay true to his word, it wasn’t because he wanted to; it’s because he couldn’t. He was too emotionally attached to Akari and he was physically unable to break away from her. At the end of the movie, you can see part of Akari’s letter to Takaki ended with the line, “But I’m sure you’ll be fine,” which indicates that perhaps she was prepared to make their visit their last encounter. Yet, she never had the heart to give it to him. It’s possible that even though she knew she had to let go, she just couldn’t bring herself to break Takaki’s heart.
  • Moving On, Moving Along: The movie is named 5 Centimeters per Second for several reasons, two of which are
    1. That’s the speed at which cherry blossom peddles drift to the ground
    2. Despite what you might be going through, moving along is important

    Now, those things might sound a little unrelated, but listen to what I have to say. Cherry blossom peddles start out close to one another. They grow out of the same flower bulb. They are brother and sister. They are together. But as time goes on, those cherry blossoms break off and begin to drift farther and farther away from one another. And soon, they are forever taken by the gusts of fall – never to see one another again. This movie is about the very same thing happening between people. Takaki and Akari were extremely close to one another when they were children. But as time went on, they began to drift farther apart – destined to be separated for eternity.

    The other thing I wanted to say is that everything moves slow. Time, life, love. They all move slowly. But they do move. Life continues to happen. People continue on. We all continue walking – marching on. The howls of our past might roar in our ears, but it can’t stop us from taking another step forward. Whether it takes seconds, minutes, years, or decades, everyone needs to continue moving forward. And like our hero, we’ll all find an answer to whatever has been keeping us locked in the past, even if it takes 14 years to do so. Just my little inspirational speech that I don’t get to put into my reviews. hehe. (^_-).

  • Start Close, End Far: As I’ve said above, the movie is named 5 Centimeters per Second because it’s about falling down, really slowly. It’s about moving along really slowly. Have you ever had a childhood friend you knew many years ago, but, for whatever reason, couldn’t keep up with? Have you ever fallen in love with someone, broken up with them, and then look back years later and wonder about them? How you could be so close and now so far? That’s what this movie is about

Final Thoughts | Conclusion

5 Centimeters per Second was one of the most beautiful – both visually, emotionally, and intellectually – anime movies I’ve ever had the pleasure of watching. I came across this series when I saw a background for it on deviantart. I then forwarded the anime series to Josh, who, surprisingly, had never heard of it either. So we both checked out the ratings for the series and were delightfully surprised to see it get perfect scores across the board among several different websites. I immediately downloaded it and watched it – and used up a box of tissues in the end. After that, I recommended it to my friend Josh and Bryan who shared an equal amount of praise and tears for the series. One thing seems to be agreeable about this series: it’s a masterpiece. It ranks among the highest in my collection of anime. It’s one of the most meaningful and inspirational anime I’ve seen. The visuals, the art, and the characters tug at your heartstrings and send you back into your own memories of when you first fell in love. Even if you haven’t, you’ll still find yourself crying at the reality of truth in the movie.

Score | Charts

Rating: 9.98 = ~99.8%

Rating Chart

5 CMS Rating Chart

Attribute Chart

5 CMS Attribute Chart

[Review] Shakugan no Shana S1 + S2

Told Ya So

Ha! I actually finished this review in a decent about of time – just a couple of days. Man, makes me wonder how much more I could accomplish if I had the same resolve. Oh well! This knocks out a review that’s been in my to-do pile since Spring 2009. Anyways, here’s the review:

[Review] Shakugan no Shana S1 + S2

Charts

Attribute Chart
SnS Attribute Chart
Rating Chart
SNS Rating Chart

Introduction

Josh introduced Shakugan no Shana to me, and he claimed that the series was one of the more impressive anime series he’s seen. He was adamant about his claims for Shakugan no Shana and I have a deep respect for his taste in anime, so I decided to watch the series. Now, I won’t say that I was disappointed, but I can’t say that I was really impressed with JC Staff’s work – especially after reading the light novels. For the most part, I felt that the animators were aiming to close the series and give it a definite end so that it would fit nicely into 25 episodes. Unfortunately, the light novels are still being produced and the prospect of closing off an entire storyline hasn’t really assuaged any of the fans. To be brutally honest, Shakugan no Shana was no more rewarding than an action movie with hackneyed plot devices and a big bitch as the main star.

Plot

The premise of the series is the existence of two parallel worlds that have regular humans on one side (Earth) and demon-like “Crimson Denizens” (Denizens) on the other (The Crimson Realm). All of the Denizens require “power-of-existence” to survive if they enter Earth and there are only a few ways to obtain it. The two most common ways are:

  1. Devour the souls of humans on Earth
  2. Find a human host to reside in and use their life as substance. In exchange, the host inherits powers associated with the Crimson Denizen; of course, the host pledges their freedom to the Crimson Denizen.

As you can tell, a conflict erupts between Denizens who want to enter Earth but refuse to reside in a host and those who believe that devouring human souls will upset the balance between the two worlds. Since residing inside of a host traps the Denizen inside of an entity that doesn’t necessarily have to bend to the Denizen’s will, the only reason why a Denizen would choose to reside in a host is to hunt other Denizens who are devouring souls on Earth; they are called “Flame Hazes.”

Flame Hazes fight Denizens who consume human souls, but in order to “soften the shock” due to the loss of human souls, Flame Hazes place a “Torches” in place of the missing souls. As the name implies, a Torch is only a placeholder for someone’s existence and will eventually “burn out.” When a Torch burns out, the person’s very existence burns out; no one will even remember they ever existed.

The series starts out with an ordinary high school freshman, Saki Yuji, stepping into the middle of feeding-frenzy when our bitch-heroine, Shana, flies in with her long, flaming red hair and big-ass sword; sweeping left and right against the life-draining bastards.

After the ordeal, Yuji learns that he’s a Torch and gets emo after being told that he’s not human and follows Shana around town, asking a barrage of questions. Shana reveals to Yuji that he is a vessel for an ancient artifact, but doesn’t know what the artifact is; tangible to a treasure chest. Shana decides to keep tabs on him just in case any Denizens want to steal what’s inside Yuji – and since she’s a Flame Haze, her daytime schedule is pretty lean, so she decides to become a student at Yuji’s school and bitch out all the teachers.

The rest of the story is fairly modular and only chronicles Yuji and Shana’s experiences together, both romantic (*HAHAHA*) and perilous. The reason why you see the rest of the plot summarized into one sentence is because it can be! Honestly, there’s nothing more you need to know about the plot or the characters because they stay reasonably flat and you’ll become rather blasé after seeing the first ten episodes or so. Hell, I nearly lost it after watching the first seven. Yuji and Shana nearly ruined the whole thing for me. LOL! In fact, let’s talk about that.

Characters

Luckily, the animators at JC Staff decided to throw in a couple of flashbacks that show some of the other, more interesting (*COUGH* Margery Daw *COUGH*) characters to mix up plot. Albeit, the temporary distortion in the flow of time doesn’t save it from being a miserable mess of half-assed emotions and plethora’s of:

“URUSAI! URUSAI! URUSAIIIII!”

Goddamn, that’s another thing, actually. Shana constantly bitches and says things like the aforementioned quote – yes, quite literally like that. It’s obnoxious. After reading the light novels, at least the ones they released in English, I felt that her character was way over-exaggerated. The animators at JC Staff stretched her character to the point where Shana is no longer Shana.

You know what? I’m just going to just list out the characters as I usually do:

  • Shana: Yeah, like I said, she’s a complete bitch. She grew up in a completely different world where she does nothing but train her combat abilities, and it’s understandable that she’s feeling some things for the first time. Nevertheless, her reaction to some of these moments during the anime is completely nonsensical – this is especially true for her feelings towards Yuji. For instance, while Shana is training Yuji to fight against Denizens, Yuji begins to sulk because of the skill difference between Shana and him. Instead of realizing that Yuji is embarrassed that he isn’t on the level of Shana’s fighting skills, she goes and bitches him out. Another time, she begrudgingly refused Yuji’s help when Margery Daw defeated her – as if to say, “It’s your fault I lost.” It may seem small, but it’s instances like these that make the series’ heroine really un-relatable.
  • Yuji: So, this guy is a little bitch. It seems that Shana and Yuji were just made for one another. I swear, this guy either, complains or complains louder. He’s a complete airhead when it comes to recognizing social cues, but it’s not all his fault. He has been tucked behind Shana in this little war with demons, so I can’t really blame him for being scared shitless. Still, I wish he would actually act normal – in fact, I wish all male protagonists in anime would act normal, but I suppose that’s a little too much to ask. In any case, have you ever seen a movie where shit goes down and someone is running around screaming? Yeah, that’s Yuji for the first half of season 1. In the second season, he’s a much calmer person with some fighting ability, but he’s pretty much the same guy throughout this series. I also feel that the animators didn’t thoroughly flush out the way Yuji develops. Throughout the series, it appears that Yuji suddenly comes up with strategies against these Denizens. Yuji has only known about Denizens and the Crimson Realm for a couple of months. How is it that Yuji can outsmart Flame Hazes who have fought against these Denizens all their life?

Themes

You know, I’ve thought long and hard – actually, I only thought for 5 seconds – about this topic and I’ve come to the conclusion that Shakugan no Shana has no themes. None. The author actually says that his intention for writing this book was to include a lot of “slashing, burning, and exploding.” Essentially, he wanted to write an action movie in the book – and he did a damn fine job in the light novels. The way the series handled the romantic triangle between Shana and Kazumi nearly ruined the series. Luckily, love doesn’t play as a theme in this series, so I’ll forgo discussing the topic.

Even after reviewing the work as a whole and concentrating on the little insignificant details, I can’t fathom any themes that the author, rather the anime studio, wants to convey to the audience. Some might argue that “understanding others” and “putting yourself in one another’s shoes” might be a theme of the series. I can see where others might pick that up, as Shana and Yuji emotionally wound each other frequently because of their misunderstanding of one another. Yet, I find myself dragging my heels in acknowledging this. I think it’s because of the fact that JC Staff threatens the audience’s willing suspension of disbelief by presenting the personalities of Shana and Yuji as drastic and polarized. Shana is way too tsundere and Yuji is way too…what’s the Japanese archetype term for “pussy?”

Anyways, my final thoughts

Final Thoughts | Conclusion

OK, I know that I’ve been really hard on this series. To the credit of JC Staff and with all due respect to Yashichiro Takahashi, the series was actually enjoyable. Yes, it was enjoyable to watch and ponder. In fact, I enjoyed the series so much that I went out and bought the English light novels because I was so interested in the story. I’ve taken ideas from this story and incorporated them into the novel I’m writing. With all the character flaws and lack of plot devices aside, this series is a lot better than several other anime series out there.

To my surprise, if you look at the polls you’ll see that Shana is incredibly popular. I think it’s the long hair. Could be that a lot of the fanboys like small chicks with big swords and long hair. To be honest, if Shana and Kazumi traded places, I would hate Shana – that is to say, that if Shana looked ordinary, I would hate her. However, I will admit that I have some affection for Shana, especially when she falls asleep with Yuji in bed.

Score

Rating: 4.24 = ~42.4%

[Review] Clannad | Kanon – The Key/Kyoto Marriage

Regarding

Ah so, I’ve been meaning to review Clannad and since I just finished up Kanon I figured it would be proper to review both animes simultaneously because:

  • Both of these animes were produced by the same studio: Kyoto Animation
  • Both of these animes are directly based on Visual Novels by Key

Clannad’s and Kanon’s fame isn’t mysterious as both anime series have experienced an incredible amount of popularity among the anime viewer-base. According to ANN, Clannad and Kanon both hold incredibly high ratings among anime fans (~ 9/10). It seems that Key’s imaginative writing staff and Kyoto Animation’s top-notch production values have produced what could be argued as the best anime ever!

Kanon

Introduction

Kanon was originally an eroge visual novel, but the main premise is nearly the same in the anime. The series is primarily focused on Yuichi Aizawa’s interactions with people he had already met in the past but couldn’t remember at the time. As you can tell, one of the central themes of this anime is the idea of memory and how amnesia plays a role in shaping the world. From what the audience is told in the anime, Yuichi transfers from some unknown place in Japan to yet another unknown place where the series is set in. The only things we know about the setting are that it’s very cold, snowy, and full of people who tend to lose their memories.

At the beginning of several episodes, the audience is shown a flashback about one of the characters interacting with Yuichi in some way. The pace of the series is expectedly slow and easy going. You’ll find that Key and Kyoto haven’t lost their touch when it comes to expressing the moe traits within the characters – with the exception that the tsundere appears no where in this series. You’ll quickly find that this series has only one male focus and several female supports, thus making this another lovely haremfest. And yes, the girls are cute.

Plot

Kanon is centralized around Yuichi and his interactions with former friends and his quest to remember who they are. At the beginning of the story, Yuichi finds himself at a train station waiting for his cousin, in the snow, to pick him up. She arrives several hours behind and asks Yuichi what her name is – to which Yuichi jests that her name is common and unmemorable. Of course, he closes the loop with her correct name, Nayuki.

The start of the series begins much like this encounter with his cousin, meeting old friends Yuichi can’t remember. In that sense, you can also perceive this as a slice of life anime – which it is sometimes – but we start to deviate from that genre once the anime begins focusing on the story of all the girls that Yuichi has met in the past.

A large part of the plot is conveyed through flashbacks realized at the beginning of an episode or during a dream sequence of the main character – they’re usually one in the same. In tandem with the flashbacks, and something I feel should be in the “theme” section, the series does its damnedest to emphasize the importance of following through on promises by echoing past events; several events in the series play out exactly the same – literally, word for word – as events in the past. I’ll get to the theme of “promises” later but I wanted to accentuate the animators’ relentless insistence of drawing motifs throughout the series; but what else is new (for Key)?

As with Key’s other works, the main character, Yuichi, has the most screen time of any other character in the series – lending the series to be a first-person narrative. This actually works out quite nicely as the rest of the cast would surely have been bland to watch – with the exception of Mai.

Speaking of which, you’ll definitely get a chance to see all the girls and their stories as Yuichi drives down memory lane with them all at one point or another in the series. There are approximately 5 arcs that consist of 4-10 episodes each. Now, I know you’re like,

“Whoa! Whoa! There’s only, like, 25 episodes in total”

But that’s just how it is. In fact, one of my favorite characters in the series has the shortest story arc in the entire series. Now, that’s all the details I’m willing to divulge as far as the plot goes; I’m not trying to rehash the experience of watching the series as that would defeat the purpose of this review.

Speaking of which, who the hell is Yuichi? But more importantly, who the hell are the girls?

Characters

I won’t go into detail about the characters and their role throughout the series – hell, I won’t even list them all; I’ll go ahead and list them and briefly cover their character.

  • Yuichi Aizawa: The beloved, and surprisingly level-headed, main character with a familiar voice actor. And much like the other characters that Tomokazu Sagita has played, Yuichi comes right out of the gate cracking wise with his cousin and friends over the white blanket of snow. I must say, Yuichi is pretty lovable as the lead character in this series. He doesn’t carry any self-loathing and he’s quite charming. If you’ve ever seen The Melancholy of Haruhi Suzumiya and Clannad, you’ll definitely see qualities of Tomoya and Kyon in Yuichi; it’s unmistakable.
  • Nayuki Minase: Yuichi’s cousin and loaded with moe goodness (or maybe gushyness?), complete with a set of cat ears formed by her long hair. Nayuki is probably one of my favorite girls in the entire series – and it’s not because she’s one of the prettiest, but because she’s so adorable. At first she came off rather bland and flat, but her character really grows on you. Somehow, the voice actress manages to take a monotonous run-of-the-mill anime girl and inject more moe gooeyness than you can handle. I especially like Nayuki’s sleeping habits; reminds me of how I use to sleep at Georgia Tech – oh wait, I never slept there.
  • Mai Kawasumi: In every anime series, there’s always the girl who takes things really seriously – Mai is that girl. For some reason, I have such a weak spot for these types of girls, but maybe that’s because they need love too! What I’ve found is that the tsunderes have the mushiest sides – that’s probably what makes them so damn cute; Mai’s no exception. She’s absolutely heart-warming. Mai spends her nights at school killing demons, which probably would harden anyone. But her particular demeanor is that of a person who chooses not to speak – and if they do, it’s important and terse. In fact, she’s always being accused of vandalizing school equipment, but she refuses to admit or deny blame, which leads everyone to believe that she truly is the culprit (*cough* Our Country’s Good *cough*). Ahhh, but I’ve always been a sucker for the lonely (hot) girls who put up tough. Oh well.

Themes

I’d have to say that the greatest aspect of the series is its emphasis on several themes that are all connected by the very nature of memory – symbolized by the snow. As Yuichi makes his way into town for the first time in the series, we see that the weather has entrenched the city in snow. Upon the next morning, Yuichi wakes up in bed and asks of himself,

“Where am I?”

It’s no coincidence that the very first questions that the characters ask are ones about simple identity and location – and yet they don’t reveal the answers to the more fundamental questions the audience might be asking. It’s difficult to link the snow with memory loss until the end, but the snow symbolizes the layers of memory loss that have consumed the main character in his seven year absence. The landscape looks the same; smooth, white, and camouflaged. The setting isn’t very revealing; all the scenery’s landmarks are molded together into a blurry singularity. It isn’t until the end that we see the signs of joy as the sun rays melt away the amnesia of winter.

Together with memory, we have a loss of identity. Several of characters have no idea who they are or where they’re from. Makato’s amnesia has rendered her completely anonymous and Ayu doesn’t actually have a real name; Yuichi conjured a name for her based on the sound she was making while she was crying. Even Mai’s identity is suppressed and forgotten until the very end of her arc, where Yuichi reminds her of her true nature – resulting in her suicide. And perhaps even Kaori Misaka’s denial of her sister’s existence plays a role in how important identity is. The memories of Kaori’s past have pushed her to denying that her sister even exists; merely living a fantasy life without the pain of loss – a faux identity.

Along with memory is the idea of making and keeping promises in Kanon. The series reiterates the character’s promises to one another and emphasizes the importance of keeping them. The series especially focuses on the idea of “being there” and punctuality – something Yuichi constantly has trouble with throughout the series; this goes hand in hand with Yuichi’s inability to bring Ayu out of her coma.

Aside from the ones I’ve mentioned, I know that there are dozens of other themes that present themselves throughout the series, such as self acceptance, love, and food, but it would be impossible to go over all of them; hell, I couldn’t really pull of a thorough explanation of the major themes. Regardless, the anime is loaded with heavy material for everyone to ponder over and rivals its younger brother, Clannad.

Conclusion | Final Thoughts

Among all the different qualities in this series, I believe the most favorable is the main character, Yuichi. He really brings the magic of the series to the audience. And what’s more, Yuichi is calm, cool, and collected unlike many of the other male leads in other popular series (*cough* Naruto *cough*). Yuichi’s sarcastic tint brings in the humor that the series’ desperately needs to balance out the heavy somber note. But that doesn’t make him one dimensional; he convinces the audience of his anguish during the more melodramatic parts of the series. And behind the main character is a great lineup of supporting characters that melt the heart of the audience. Each one of the girls that Yuichi meets brings a gooey pot of moe goodness, complete with tragedy and humor.

Aside from the characters, the story is modular that makes extensive, albeit somewhat exhausting, use of flashbacks to fill in the blanks and keep the audience engaged. At times, it can be somewhat bewildering to figure out the relationship between the past and the present during some of the flashbacks; Kanon is a series that you should watch twice. And despite the story being modular, it would be best to watch it all from start to finish.

Although, I know that many people will find this series a bit too fantastic – as in fantasy based – for their liking, but I really enjoyed the story and the way it was presented. I actually walked into this series after I watched Clannad, which gave me the false impression that Kanon would be upbeat. It wasn’t a fatal mistake – actually, I just made a false assumption – but the series does take most people off-guard for being so drab; it actually works out quite nicely.

So for those of you who are in the mood for a slower and more somber anime that is rich in thematics, Kanon might just be right up your alley. There’s no doubt that this series deserves the praise that it’s received from critics and general audiences alike. Much like the next anime I’m about to review, Kanon is Anime – with a capital “A.”

Charts

Rating Chart:
Kanon Rating Chart
Attribute Chart:
Kanon Attribute Chart

Score

Rating: 8.51 | ~85.1%

Interlude

Ah, OK! Now, I’m going to jump into the Clannad review. I know that this section seems a little extraneous, but I wanted to quickly jam this section in between the two reviews so that they don’t run together. Also, I want to remind you that the two animes were produced by the same companies (both the anime and the visual novels were created by Kyoto Animation and Key respectively. Ergo, Kanon and Clannad share many themes, qualities, and character prototypes. I’m only telling you this now, because you’ll find me repeating aspects about Kanon that are present in Clannad. I’ll try not to copy and paste (^_-).

And without further delay, here is the Clannad Review.

Clannad

Introduction

Much like several of the previous anime I’ve seen, Clannad is based on a visual novel by Key, but, unlike Kanon and several others I’ve mentioned, the visual novel is not an eroge. Key decided that they wanted to create a visual novel without any adult content in it and keep several themes – namely memory, fantasy, and identity. Several elements are borrowed from Kanon, and quite possibly Air (another visual novel by Key), but Kyoto decided to take Clannad in a different direction than Kanon; the somber mood of Kanon was done away with in favor of a brighter and more energetic one. But don’t mistake this series to be child’s play, there are some heavy moments in the series that make even the strongest people mushy.

Plot [Spoilers]

The series starts off with our winsome protagonist, Tomoya Okazaki, opening up the door to Clannad with the line,

“I hate this city”

Boy, does that put it in perspective. Actually, there’s a reason behind it all, but I’ll get into that later in the review. A familiar plot beginning, boy-meets-girl, joins Tomoya with his future wife, Nagisa Furukawa, at the foot of the hill leading up to their high school where a majority, if not all, of the first season takes place. From there, Tomoya joins forces with his adorable Nagisa and forms the Drama Club.

As Tomoya and Nagisa struggle to establish the Drama Club, several characters – females of course – come into play and a gooey haremfest ensues. Just like in Kanon, each character is dedicated several episodes of airtime to tell their stories; but unlike Kanon, we have 50 episodes to play with, not 25.

The first season of Clannad entirely revolves around the establishment of the Drama Club and the story arcs that highlight each individual character. We actually don’t see that many plot techniques being shown, with the exception of flashbacks for Kotomi’s arc. Unlike Kanon, I feel that Clannad Clannad “>was produced to focus on the themes of the story and not the actual events. Albeit, in the second season of Clannad, the authors decided to employ time-travel to bring about a happy ending. Furthermore, we see that there are two different and parallel settings acting upon one another; one in the primary material plane (Earth per se) and another in the “fantasy” world.

The primary material plane is where all the action really takes place. We see Tomoya and his harem of girls enjoying – Tomoya to a lesser extent – their life as we would normally expect. And then we see glimpses of the “fantasy” world, where a lonely girl is managing the happiness and memories of those in the primary material plane. Yeah…It’s kinda weird, but this plot device really adds a layer of depth to the story. Most fans most likely won’t actually recognize the significance of this “fantasy” world until they watch the series a second time – but it ties in really well at the end of the series, regardless.

The second season of Clannad really brings in the waterworks. If you don’t find yourself crying, or at least feeling some sort of sentiment, by the end of the second season, then you’re just not human. The second season focuses Tomoya and Nagisa’s life after high school. The couple gets married and tragedy strikes over and over. From here, we see a what a worn and beaten Tomoya becomes when he’s reached the edge of his patience. And this is where the themes of parenting and memory come into play. At the end of the second season, the main characters all go back in time; or rather the plane of existence is recreated in the image of a better world with happier people.

Characters

  • Tomoya Okazaki: Our level-headed, albeit angsty, hero of the story. He’s your typical, always-late, easy-going student at the bottom of the student rankings; a “delinquent” as the Japanese put it. After his mother died in a car accident, he constantly argued with his father until it culminated into a severe physical fight three years prior to the story of Clannad where he injured his right shoulder. This prevented him from ever lifting his right arm above his head, shattering his dreams of ever playing on the basketball team. He has been an apathetic student ever since. He usually spends most of his time with his best friend, Youhei Sunohara, whom he relates deeply with; that is until he meets Nagisa.
  • Nagisa Furukawa: The moe-ish sickly, weak, and helpless girl of Clannad. Nagisa is absolutely adorable and comes as one of the purest characters in the series. The story of Clannad focuses completely around Tomoya, but Nagisa becomes a dear part of his world. As Tomoya falls in love with Nagisa, we see that most of her dreams become the focus of the Tomoya’s direction in life. Although to be honest, Nagisa is one of my least favorite characters, but she’s a cute girl; some say that she was the perfect fit for Tomoya. And it seems that the authors at Key thought so as well, because Nagisa’s story arc has the longest and most involved set of events of any other girl that Tomoya can choose from. One of the reasons why I didn’t like Nagisa was because of the fact that she’s really static. Her character never changes throughout the entire series. The girl you meet in the first episode is the girl you leave in the last. Although, she builds up more confidence because of her encounter with Tomoya, but her principle character stays very much the same. And, it’s not because of this that I don’t like her as much as the others, but it’s just the fact that I think that she needs longer hair to really attract my attention ^_^.

Themes

As with most of Key’s work, Clannad is loaded with themes that speak about lofty ideas that most of us already take for talking-points in high school. With no attempt to hide the fact that Key likes to borrow themes from its previous works, Clannad displays ideas about the importance of memory and how it’s linked with identity, the importance of having dreams and realizing goals, and being a good parent by giving your very best. All of these things tie in at one point or another, but I feel that the themes of this series become rather ambient to the fantasia of raw emotion that floods the plot. I don’t want to dive deep into the themes, as that would probably be a joyless endeavor for both of us. I feel that perhaps the authors of this series wanted to focus on connecting the audience with the characters and their situations, rather than trying to project an idea on to the audience. As with most anime, the aim of the series is to entertain and engross, not to establish a new world order. Regardless, there’s a lot of sentimental points that this series makes that should pull on some heartstrings.

Conclusion | Final Thoughts

Clannad is by far one of the absolute best anime series on the market. This zephyr has brought me, as well as most fans, a nice reprieve from all of the supernatural, explosive action that I’ve been watching lately. To be honest, the slower pace of the series makes it more dramatic and easier for the audience to swallow. The characters are what you’ll love the most about this series – if not, then the situations the characters find themselves in. The main character and his group of friends are some of the easiest people to relate to and give this series a much different feel than most of the others out there. Somehow, Kyoto Animation managed to inject buckets of moe into this series without detaching the audience in the process. Albeit, there are some moments in the series where you find the mood somewhat overwhelming for the plot that’s associated with it, but, for some reason, it works. Clannad is one of the best anime series I’ve ever scene; it’s of the likes of Death Note, Code Geass, and 5 CM/s (an anime I plan on reviewing later).  You can’t go wrong with this series.

Charts

Rating Chart:
Clannad Rating Chart
Attribute Chart:
Clannad Attribute Chart

Score

Rating: 8.93 | ~89.3%

[Review] Death Note | FMA Split

[Editor’s Note: The graphs to series’ rating will be posted by 9:30 PM tonight along with its enumerated rating]
[Update: Finally added the charts]

FMA Series Status

I am happy to say that I finally finished the first season, plus the movie, of FMA and have decided to break up the franchise into two separate elements. There are actually a few reasons why I want to do this:

  • The first season of FMA is an extrapolation of the manga. The anime series actually deviates from the manga halfway through and rewrites a lot of the story. The ending to the first series is completely different from the manga. Principle characters are changed entirely – ENTIRELY; I’m talking about switching around the protagonists and the antagonists.
  • The second season is a reboot of the series – it is not a retelling or a recap of the first season.
  • The second season has a completely different tone, nature, and attitude, yet preserves several principle characters, mannerisms, and approaches.

Simply put, the second series is not a second season; it is a totally different entity altogether. That is why I’ve decided to identify them as two totally separate items and will review them both in their respective environments; that doesn’t mean I won’t draw comparisons or parallels between the two works. Literature was always about contrast.

As I said in my last post, you can expect a review of FMA sometime this week.

But enough about FMA. It’s time to take a look at Tetsuro Araki’s interpretation of Tsugumi Ohba’s unremitting masterpiece, Death Note.

Death Note

Charts

Attribute Chart

Death Note Attribute Chart

Rating Chart

Death Note Rating Chart

Introduction

Although Death Note was originally drawn for a younger demographic, no one – not even the authors – can deny that the series held an incredible amount of messages for the audience to see. In fact, you could say that the messages were really just meant to be questions that pertained to persistent themes in life – of course totally overblown in the anime. Tsugumi Ohba expressed recognition of certain themes that could be drawn from the series, but ultimately judged that the series was only meant for entertainment.

Ohba said that he did not have a theme that he wished to express throughout the series. He said that he understands how debate can form from the story.

As a response to the interview question “So the series is meant to be all about enjoying the plot twists and psychological warfare” Ohba responded by saying that the statement is the reason why he was “very happy” to place the story in Weekly Shonen Jump. He said that, because Death Note is aimed at “the young” the reader can “push back ideology” and focus on “pure entertainment.”…debate about good and evil “sometimes” appears in the series and that the “answer” to the debate is left for the reader to decide.

If you have read any of my previous reviews, I have repeatedly expressed that the best animes – as well as other works of Literature (with a capital “L”) – are the ones that emphasize questioning the world and morals of our society, but refusing to relinquish an answer – or worse yet, a SAFE answer. A great play by Joe Penhall named, “Blue/Orange”, is a prototype of this type of Literature.

And I’m not just talking about animes, books, or any other works of art that simply just fumble the football on the one yard line by crash landing the story on a cliff-hanger – not that there’s anything wrong with using cliff-hangers. Simply put, I’m not talking about plot-devices; I’m talking about the major themes in any given work and how they are portrayed through the plot. Rest assured, Death Note does not disappoint – although, I did find the ending a bit impalpable.

It’s been awhile, but I actually had no idea what Death Note was about when my friend, Bryan, suggested it to me. All he told me was,

Andrew, you have to watch this series! I think you’ll love it!

And I had heard about this series before, but I just never actually got around to watching it. I wasn’t as interested in anime as I am now; although, I was fairly occupied with Naruto Shippuden at the time. In any case, I finally got around to procuring a copy of Death Note and after watching the first five episodes, I immediately became engrossed with the series. The cat and mouse game between L and Light-kun creates so much excitement during the first half of the series. The anime really emphasizes – almost glaringly – the importance of logical reasoning and deduction in relation to L and Light-kun’s stand-off, which really appeals to the audience.

Plot [Spoilers]

Death Note begins with a short glimpse of the “Death God World,” which appears to be a ruination of sorts, complete with rotten apples, desolate planes, and bones of animals long rotted away. Apart from the fact that the “Death God World” is rotting away, we learn from one of our supporting characters and Death God, Ryuk, that it’s fairly boring there. So, he decides to drop his Death Note into the “Human World” – our world – in order to have some fun. With no other basis, other than to toss up the usual routine, Ryuk takes it upon himself to change the course of human history by, literally, dropping a Death Note into the “Human World,” where our, then winsome, protagonist, Light-kun, begins his journey.

It just so happens that Light-kun is a sociopath and has a strong sense of divine judgment; this is where the plot gets really interesting. We’ve basically given an ethic-less, emotionless monster, who just so happens to have a God Complex, a supernatural notebook that can kill anyone – given that a face and a name are provided. Despite the horror that comes packaged, you’ll find yourself liking Light-kun until about half-way through the series. He’s relentless and straight to the point. His only mission in life is to become the God of his world and pass judgment upon everyone.

For the first half of the series, I found myself enjoying the twist and turns of Light-kun’s crusade, but as the series progressed past L’s death, the series slowly began to lose its magic. I felt as if the decisions that the main characters made were way too far fetched and unfulfilling. Mello and Near, L’s successors, just didn’t give as compelling a presence as L did; or perhaps it was their inability to deduce real logic. Often, Mello and Near would come up with stupid, albeit correct, conclusions about Light-kun and I found it really difficult to believe their intelligence.

The ending was absolutely awful – ABSOLUTELY AWFUL! The conclusion of the series was so abrupt and incredulous that I nearly spat my coffee onto the computer screen. Seriously, the way that Near went about catching Light-kun was so ludicrous that the animators either:

  • Completely lost their wits and believed that the audience would’ve accepted an ending like that.

OR

  • Ran out of time/money.

There were so many things wrong with the ending. The animators of the series didn’t give any closure to the audience about Light-kun. Here’s just a quick list of logical flaws I found in the ending:

  1. Near and the rest of his team caught Light-kun in Japan after the President of the United States told Near and his team to stand down. In other words, Near had absolutely no authority to arrest or investigate anyone.
  2. Near and his team broke into a bank safe-deposit box to forge a Death Note so that Light-kun’s partner would believe he had a genuine Death Note, despite his incredible attention to detail. Unfortunately, the police are not allowed under any circumstance to break into a bank safe-deposit box and even if they did, they would be immediately arrested and put on suspension – not to mention that any evidence they gathered would be thrown out in a court of law.
  3. Near never had any evidence against Light-kun to support any suspicion against him. It was impossible to deduce that Light-kun was Kira because no one could actually prove that he had possession of a Death Note.

Now, I’m not saying that I wanted Light-kun to win. On the contrary, he was an evil, evil person. He needed to die or become a wretched Death God – forever destined to spend his days of eternity in the bleak reality of the Death God Realm. But the way that the animators designed the ending was just laughable – Light-kun’s ungraceful downfall was completely out of character, rushed, and inconclusive. I just couldn’t accept it. There were too many loose ends and impossibilities that even labeling this as Deus Ex Machina wouldn’t be enough to save this series.

Characters

Ah, now here’s the fun part of the series. I won’t go into the character themselves, as that would defeat the purpose of the review. Instead, I’ll just quickly go over how I felt about each character after a quick blurb about who they are – list-wise.

  1. Light-kun: Light-kun was one of my favorite characters in Death Note. His cunning wit awarded him favor from the audience early in the series; his fervor for justice and his hatred against criminals relates. What’s more, the cat and mouse game between the police and Light-kun becomes intriguing, clever, and fun until Light-kun lets his pride get the best of him. Once Light-kun starts killing off FBI agents for, what appears to be, absolutely no gain, then we start turning our backs. By the end of the series, no one in their right mind would appreciate what Light-kun did to innocent people to further his agenda.
  2. L: Regardless of whether or not you like L, you have to admit that some of his deductions were outstanding. Unfortunately, I could never bring myself to like his methods or his justifications. L was a brilliant character that has garnered quite a following – especially since he was so quick and clever as to be able to successfully catch Light-kun, if only for a brief while. Despite that, L was one of the most entertaining and eccentric characters I’ve ever seen in an anime series.

Themes

Now, here’s where the rubber hits the road in this series. The animators brought up a lot of different questions during the series, but I feel as if there is only one overarching theme/question that the authors brought up:

“Do the ends justify the means?

And, really, this isn’t a new question, but it’s still an important one to answer; I wonder if it’s possible to answer it. The reason why I say that this question is the overarching theme of this series is because the very nature of the Death Note screams the question,

“What’s the justification?”

Especially since Light-kun justifies it as being his world where he’ll become God. Now, that’s not a logical justification, but are you going to argue with someone who could kill you with the stroke of a pen and who just so happens to be killing criminals? Probably not, but we all know how it ends.

And just like that, I feel that the animators shouldn’t have answered the question for us.

“The ends don’t justify the means”

I would’ve been much happier if the authors gracefully let Light-kun down, but left the question unanswered so that the audience could think for themselves. But we have to remember that the author of the original manga series didn’t want to raise any questions or focus on any themes. Tsugumi Ohba simply wanted to write a fun and thrilling story. Regardless though, questions were most definitely raised and many people want to answer them.

Personally, I felt that the themes in the series were great, but the way that the animators answered them was far to blunt and unmerited.

Conclusion | Final Thoughts

I found myself pausing the anime, not because the subtitles were being shown too quickly, but because the logical deductions that the characters were making didn’t seem to make sense upon first glance. Of course, I would eventually comprehend the character’s point of view, but the point is that this series really engages the audience to think about the logical backbone of the characters and their situations. The logic isn’t always flawless, and it’s not suppose to be, but rest assured that the purpose of this aspect is to really engage the minds of the audience; I found it to be quite refreshing.

Despite the awful ending, I felt that this series was absolutely pivotal in the anime world. Death Note pushes the bar of quality very high and it certainly perpetuates questions for future animes to consider. Through its strengths and weakness, Death Note forges an incredible union between entertainment and critical analysis. Literature (with a capital “L”) doing what it does best: kicking ass.

Score

9.11/10.00 ~ 91.1%

[Review] Kimi ga Aruji de Shitsuji ga Ore de (“They are my noble masters”)

Back to the Manga

Well I haven’t taken up reading manga, but I do plan on going back to watching anime that’s manga-based. I’ve finally decided to slot Fullmetal Alchemist into my schedule. Come to think of it, the past several animes have been based on some sort of visual novel (Kimi ga Aruji de Shitsuji ga Ore de, Akane-Iro Ni Somaru Saka, Kanon, Clannad). But, there were some light novel based animes in there (Shakugan no Shana) and a few original animes (Code Geass, 5 Centimeters per Second), so I’m not completely hooked on visual novels.

Ramp Up

Despite slotting time for Fullmetal Alchemist, I also plan on rewatching Clannad and compiling highlights for Nagisa. To be honest, I really liked Clannad – more so than any other anime series I’ve seen. Regardless, I look forward to FMA with high expectations. My friend, Josh, has told me that this series is absolutely wonderful – something on the level of Gundam SEED, which is quite bold.

But enough talk about FMA. Onward with the review.

Review: Kimi ga Aruji de Shitsuji ga Ore de

First Glance

The animators of this series, A.C.G.T., put in some extremely graphic scenes that Kyoto refused to do for their adaptations of eroge-based animes. I believe that nearly every single girl that’s featured in Kimi ga Aruji de Shitsuji ga Ore de is shown completely naked at some point during the series and many of them are shown performing sexual acts with another girl. Absolute raunchy bliss!

Here’s the attribute chart:
Kimi ga Aruji de Shitsuji ga Ore de Attribute Chart
Here’s the rating chart:
Kimi ga Aruji de Shitsuji ga Ore de rating chart

Introduction

Alright, so what’s this series about? The title doesn’t seem to say much, other than we’re about to get a lot of maid action; the series doesn’t skimp out on that. In fact, the series doesn’t skimp out on anything! Everything goes in this series, according to A.C.G.T.

Kimi ga Aruji de Shitsuji ga Ore de is based off a visual novel, it just so happens to be another an eroge-based series, and it follows Ren Uesugi and his sister, Mihato Uesugi, serving as a butler and a maid for the Kuonji family. They originally ran away from home, from their physically abusive father, and stumbled upon the opportunity of a lifetime. Ren and Mihato “save” the life of one of the members of the Kuonji family and the Kuonji family rewards them with an opportunity to be their servants. As payment, Ren and Mihato can live on the campus grounds, eat for free, go with the Kuonji’s on vacation whenever they allow it, and, most importantly, become family.

Now, with the baggage that Ren and Mihato will almost undoubtedly carry into this job, this new life, you’d probably be worried about whether or not an irreversible screw-up is just bound to happen. Annnddd…some do, but trust me, Ren and Mihato have their heads on straight for the majority of the time. Besides, if you take a look at the “Sentiment” section of my graph above, you’ll see that this series got, like, a 1/10, which means that you won’t have to worry about grabbing that box of tissues.

Plot

So, what can I say about the plot other than the fact that it’s filled with lots of bare-naked breasts, women, and innuendo – scratch that, blatant sexual activity. Just like the last series I reviewed, this series doesn’t have any abstract thought or symbol behind anyone’s actions. It’s just a day in the life of a butler who has to do extraordinary things for his rather eccentric master. I don’t even know how to review the plot because it’s, seriously, one day after another. The whole household, servants and masters, go to the beach, go to school, go to a concert, etc.

But if you take a quick glance at the rating chart above, you’ll see that the plot rating is really low; like 2/10 or something. Yeah, it’s that low for a reason. Now, I know that this genre doesn’t really need to have a plot – who the fuck cares about pornography having a story, anyways? Seriously, this anime series is based off an eroge. Plot? No need! Moving along…

Characters

Hmm…the characters are flat, but not dull. Everyone is so odd and eccentric that they really fill up the 13 episodes of the series. I’ll go into the profiles of a few characters because it’d be really incoherent to do it any other way.

  1. Ren Uesugi: Ren is the main character of the series, and his personality matches the voice actor they got playing for him. He’s actually the same person who does the crazy salesman in Lucky Star. Absolutely hilarious! Just like his voice actor, Ren is almost always high-strung, energetic, and exaggerated. Ren is a forward thinker and somewhat of an ass-kisser – not surprising for a butler. Although, despite his appearances, Ren is very observant. He tends to make notes of people’s patterns and personalities. He’s very good at picking up new things very quickly as well as predicting outcomes. He’s, by far, one of the most rational and fulfilling protagonists of any series.
  2. Shinra Kuonji: At first, Shinra comes off a bit conceited – even though she’s a very rich music conductor – but she quickly shows her naughty side. In fact, Shinra is not only naughty, she’s just downright slutty. It’s awesome! She tends to indulge in molesting her sisters, her servants, and teasing Ren. But she does have another side to her; she tends to internalize all of the pressure of the world because she’s the head of the household. But trust me, that side of her is briefly shown and short-lived. Aside from Ren’s overcharged attitude, Shinra’s hyper-sexual behavior definitely steals the show and makes the series worth watching. Perhaps, it’s the only reason why I watched…

Themes

I’m not even sure why I even bothered with this section. There aren’t any themes in this series. There aren’t suppose to be any themes in this series. Just like the previous series I reviewed, Kimi ga Aruji de Shitsuji ga Ore de is another eroge turned anime. And there’s nothing wrong with that! Seriously though, this anime series is meant to be a vehicle for sexual humor, not ideas.

Oh, and the sister is in love with the brother once more. I feel like that theme is being played up in every Japanese anime. I do remember reading about how the Japanese tend have a fetish for their sisters or something to that effect. In any case, we’re gonna move off that topic and onto the conclusion.

Final Thoughts

After adding up all the points and applying the proper weights, it seems that this series falls right in line with the other eroges; and that’s to be expected. Unfortunately, I really do prefer an anime series that develops a plot, the characters, and propagates themes throughout. But, there’s nothing wrong with sitting down with some pornography and just going at it for 13 episodes – there’s a time and place for that. Despite the low ranking, I felt that this series does what it wanted to do best. The animators didn’t skimp out on the fan-service and there was plenty of sexual humor – along with the regular humor – to go around. I gotta give this anime some credit; it didn’t try to be anything more than an eroge and it was really fun to watch. But against the likes of 5 Centimeters per Second, Code Geass, and Clannad, Kimi ga Aruji de Shitsuji ga Ore de just doesn’t hold a light to these megalithic animes. Hell, it isn’t nearly as funny as Seto no Hanayome, Lucky Star, or Fumoffu – another set of gargantuan series. But for the most part, it was worth watching.

Score

4.65/10.00 ~ 46.5%

[Review] Akane-iro Somaru Saka

Snack

So I just finished up one of the more scandalous anime series out there, Akane-iro Somaru Saka. Since this series is fairly fresh in my mind, I decided to push out a review for it using the new review system. Just in case you’re wondering, here are the difference between the old review template and the new review template:

Old Review Template

  1. Introduction
  2. Initial Impression
  3. Enjoyment
  4. Type | Genre
  5. Plot
  6. Characters
  7. Themes
  8. Final Thoughts and Impressions

New Review Template:

  1. Introduction
  2. Plot
  3. Characters
  4. Themes
  5. Final Thoughts

First Glance

Here’s a quick attribute rating chart for those who are wondering what this series is all about. This series is definitely not suppose to be taken seriously; and I would like to caution you before watching it – some ideas expressed in this anime are a bit disturbing.

Here’s the Attribute Chart
Akane-iro Somaru Saka Attribute Chart

Here’s the Rating Chart
Akane-iro Somaru Saka Rating Chart

Review: Akane-iro Somaru Saka

Introduction

Akane-iro Somaru Saka is actually based on a visual novel, which is basically an interactive anime, and it seems that I’ve been watching a lot of animes that are based off of some sort of visual novel. To be honest, I’ve found that some of the best animes are actually based off of light-novels or some sort of linear plot-line, because visual novels usually have several different plot-lines and endings – visual novels are almost always played on the computer, so it makes sense to have different story paths for the user to choose from.

Regardless of how the visual novel plays out, the anime is centered around a male protagonist, Jun’ichi Nagase, who’s fairly unaware of other people’s feelings and harbors an alter ego named, Geno Killer, that represents who he was in the past.

Akane-iro is most definitely a harem anime – and it’s no surprise since the visual novel is an eroge. Unfortunately you won’t be seeing anything quite that devilish in this anime series, but there’s plenty of fan-service for everyone. But with that aside, let’s move onto the heart of the matter; What’s this anime about?

Plot | Spoiler Alert

I can’t really say that the plot was something I hadn’t seen before or unique, but it wasn’t completely awful. I feel as if much of the plot was bloated with a lot of motions and static – there wasn’t any type of abstract thought taking place behind the characters’ actions. That doesn’t mean that the anime was weak or meaningless, but it’s just something to keep in mind if you plan on watching it. But I mean, the anime doesn’t try to hype itself up – *cough* Shakugan no Shana – so you can’t blame the series for being so shallow. Simply put,

Akane-iro Somaru Saka : Anime :: McDonalds : Food

But hey! I like eating food from McDonalds; and just like that, I like watching animes that give me a laugh or two, no matter how brief, but you have to take it for what it is. Don’t expect Code Geass or Death Note level plot angles out of this. Akane-iro Somaru Saka is merely about a young high school male’s social escapades with a circle of six different female friends, who happen to be amazingly and unnaturally attractive – hyper sexy.

Akane-iro is pretty standard issue, as expected from a eroge turned harem anime – or any anime nowadays. You’ve got your usual high school antics, the high school culture festival, the suspension bridge scene, the hot springs scene, etc. There really isn’t any reason to go jumping into the plot, because nothing really different happens, with the exception of the main character choosing his hopefully-not-blood-related sister over all the other girls at his disposal. Albeit, she was pretty hot.

Now I know that not everyone is totally cool with the fact that this anime outright scandalously hooks up the main character with his hyper hot sister, it is hinted at the end of the series that she isn’t related to him by blood. Still, how do you bring this up in conversation?

“Is that your girlfriend?”

“Ah yeah. She’s my sister too.”

No one would look at you the same way. Hell, I’m sure no one will look at me the same way now that I’ve seen this series and condone the outcome of this short adventure.

Characters

The characters are fairly bland and flat – expected of an eroge. The main character, Jun’ichi, is an average knucklehead who can’t perceive any type of human emotion or reaction beyond anger or exhaustion – wait, that’s not an emotion. In any case, how are the girls? Awfully shallow. The only depth they have is their affection for the main character, Jun’ichi. Well, only three of the six girls have an interest in him and one of them happens to be his sister. That’s about as deep as it gets. Sorry to say, they aren’t the brightest and they aren’t the most normal, either.

I won’t go into the characters themselves, because you could pretty much describe them all with one sentence a piece. In other words, Akane-iro’s characters leave something to be desired.

Themes

Themes? What themes? Themes like,

Being sexually attracted to your sister, who might be adopted, is OK

When you have feelings, you shouldn’t express them to other people who might need to know them; rather they (the other people) should be able to read your mind and figure them out

Yeah, those themes. Honestly, I had to reach pretty far into my ass to pull those out. This anime is themeless – is that a word?

But seriously, there’s nothing in this field. It’s an eroge turned harem anime. It’s Sex in the City + One Tree Hill. Did you expect a lot of symbolism? There’s about as much symbolism in Akane-iro as there is nutrition in the McDonald’s Big Mac. It simply isn’t there.

Conclusion | Final Thoughts

Ahhh, how to put this…Akane-iro was good enough to be on my schedule of animes to watch, but isn’t nearly good enough to be rewatched. It has no redeeming qualities that make it worth my time. But then again, it’s not like the anime tries to be something more than it is. I didn’t expect pornography turned high school drama to be a masterpiece, but I felt that the series was fun and enjoyable. Much like how summer action flicks are fun to watch, this series was a short joyride through every man’s primitive fantasies – a short fling that is quickly extinguished by the little voice in the back of our head.

Score

4.24 / 10.00

Note: This is a linear scale. The score 4.24 is not necessarily a “failing” score. My scales are weighted and are meant to be a representation of how well this series does against others in a linear fashion (read: percentile). 4.24 signifies that this series is better than 42.4% of the animes I’ve seen or considered. This isn’t a high school report card – it’s a normalized score based against the entire population of animes.